I came back from the south of France to a golden and grey Brussels and whatever summer memories that weren’t blown away by a mistral in Marseille faded into the damp fog of my Belgian city. I have a battery of perfumes evoking summer, but I wondered, what if I approached the theme of an autumnal perfume from a different angle? Instead of selecting a fragrance to fantasize about summer, why not let autumn be my guide? To do that, I relied on the principle of borrowed scenery, shakkei, from Japanese garden design. In my latest FT column, Autumn: The Scents of the Season, I explain how I do it and describe my choices: Serge Lutens Chypre Rouge, Bulgari Eau Parfumée Au Thé Rouge, Chanel Bel Respiro, Etro Messe de Minuit and others.
One of the most interesting principles in Japanese garden design is the idea of borrowed scenery (shakkei). Using existing landscape elements – distant mountains, ponds and neighbouring structures – a creator plans the garden in such a way as to incorporate the surroundings into her composition and create her personal vision of nature. Perfumery is generally more about artifice and fantasy, but as summer fades, I too become inspired to borrow autumnal scenery for my fragrant accompaniment. My perfume choices become led by the scents of fall. To continue reading, please click here.
If you were to match autumn, its scents or its moods, to a perfume, what would you select?
Photography by Bois de Jasmin, Kyoto