Books: 109 posts

I’m immensely grateful to all of you for your support and kind words about my book The Rooster House. I’ve received many warm letters and emails from my readers around the world. As the book appeared in different languages (17 so far), I traveled and met many of you in person. This year has been heartbreaking in so many respects and there are many days when my faith in humanity falters, but whenever I read your comments and notes, I feel an instant boost. The sense of community that I feel with my readers is a precious gift.

Another wonderful honor is that The Rooster House was selected among Best Books of 2023 by Kirkus Reviews, Express, Waterstones. This recognition is important to me personally and a Ukrainian-American author. Ukraine is the place where I was born. It shaped me as an individual and it continues to inspire me. While its situation remains tragic, I will continue to live with pain and anxiety, but I also know from the experience I recount in my book that we must look for sources of resilience within us.

My 2024 projects continue to revolve around Ukraine, participating in various fundraising and community projects, but I’m also devoting more time to scents and olfaction. Since fall 2023, I have been teaching at ISIPCA. I have also resumed my online perfume classes and seminars. It feels wonderful to immerse myself into the world of aromas, the universe that I still find as captivating as I did almost two decades ago when I first started Bois de Jasmin.

Finally, I’m grateful to the reviewers and literary critics for their praise for The Rooster House. Some of their words are below.

• Charlie Connelly, The New European For my non-fiction pick of 2023, however, I’m plumping for The Rooster House by Victoria Belim (Virago, £20). “Mourning a place is even more difficult than mourning a person,” Belim writes in a deeply affecting memoir of her Ukrainian family that absolutely knocked me head over heels with both its narrative, and luminous prose.
• Helen Macdonald, author of H is for Hawk The Rooster House is so many things at once, and all of them pull at my heart. The book is a seriously beautiful evocation of an imperilled nation and an account of a personal quest to retrieve the memories and secrets that families and states maintain. It’s a careful meditation on exile, on return and belonging, and what it means to be. And most of all it’s a paean to hope and home, written with such gentleness and deep adherence to emotional truth that to me its words become a fierceness to cast against harm, hardship and hurt. I loved it and it will haunt me for a long time.
• Bookseller, Caroline Sanderson A Wild Swans for Ukraine … an enthralling, multilayered family story, told across four generations. Rich and magnificent. A marvel
• Times Literary Supplement Ethereal and transporting … Ukraine comes alive through a tapestry of multisensory descriptions. Barbed by pain, this is a book as poignant as it is timely … it reflects the indestructible strength of the Ukrainian people, who so fiercely hold on to hope
• New European A beautifully written evocation of the Ukrainian people through the prism of four generations of one family, but it is also a celebration of Ukrainian women… evokes a Ukraine beyond the rubble-strewn images we see on the television news… a truly redemptive book, strangely joyful even, one that makes the tragedy of the Russian invasion personal

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On Thursday, Russia launched a missile attack on Lviv, a city in western Ukraine, about 60 km from the Polish border. A jewel of Renaissance art, Lviv has a long history. Today it stands in mourning, grieving over the lives lost in the bombardment. Some of its beautiful buildings are in ruin. A few years ago, I spent a memorable time in Lviv with my mother and fell in love with the city. Below is my tribute to its fin-de-siècle allure–and the nostalgic beauty that unities Lviv with another gorgeous city on the other side of the border, Kraków.

In 1808 Franz Xaver Wolfgang Mozart, the youngest son of the famous composer, traveled to Lemberg. Today it’s Lviv, a city in western Ukraine, but when the eighteen year old pianist was packing his sheet music and books and setting off on his journey, it was located in Galicia, an entity created by Joseph II after the partition of Poland in 1772. (It was the same Joseph that commented about the Marriage of Figaro, “too many notes, Mozart.”) While young Mozart was aware that he was trading Vienna for the provinces, he was in dire straits. Lemberg seemed like a promising place for a pianist to build his career and return to the capital. Mozart ended up staying for more than two decades.

Young Mozart’s early letters to his family were filled with mentions of his “loneliness [Einsamkeit].” He acutely felt the Galician isolation and complained that his inspiration was deserting him. He envisioned all of the brilliant conversations he could have experienced in Vienna society, the music, the books, the arts, and despaired of finding anything similar in Lemberg. Franz Mozart’s output over his lifetime was indeed small, yet, what becomes obvious is how much he drew on the local surroundings and how creatively he interpreted them.

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I’m delighted to share that my book The Rooster House is now available in the USA and Canada. It has been released by Abrams Press on June 27th and it’s now on the bookshelves around the country. The New York Times ran a review of my book earlier this week.

“When something of ours, something we took for granted as being ours, is destroyed before our eyes,” writes the Ukrainian-born journalist Victoria Belim, early in her absorbing memoir, “we are destroyed along with it.” “When Going Home Becomes a Fact-Finding Mission,” The New York Times, June 27, 2023

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My book The Rooster House was published yesterday by Virago Press. It’s being released during a trying time for my country. Even though its story begins in 2014, my book explains the context in which the Russian invasion takes place. It does so by focusing on ordinary people and their voices. While the book recounts Ukrainian history through a personal story, it celebrates four generations of remarkable women who held our family together through the most trying circumstances. As The Rooster House reveals, Ukrainian history is full of tragic events, but it is also a testament to the resilience and strength of Ukrainians. My great-grandmother Asya and my grandmother Valentina possessed incredible emotional resources, which made them able to protect their family and take care of their land.

As I wrote my memoir, I sought to capture my grandmothers’ lessons in seeking beauty and deriving support from creative pursuits like embroidery or gardening. For this reason, Ukrainian culture and art form the leitmotif of The Rooster House, and I take the reader on a journey with me through descriptions of Ukrainian scents, foods, nature, and arts. My memoir is an invitation to stroll through our cherry orchard in Bereh and become more intimately familiar with the elements that make up the colorful and diverse Ukrainian identity.

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A few days ago I was going through some old photos when I came across this image of my mother and me taken in our apartment in Kyiv. I must have been 5-6 years old and I still remember this photo session. My father’s friend Petya, a professional photographer, came over to take photos of our family and had us pose in different ways. For some reason, I didn’t like posing the way Petya suggested, so my mother gave me a book and the result was this photograph.

The moment I picked up the photo, I could imagine the heft of that book, its shiny green cover and the colorful drawings of plants. I recalled that it was a book of medicinal plants. It used to be one of my favorite books to leaf through, and  when I learned to read, to lose myself in its descriptions of plants, their aromas and healing properties. The more I thought about the book, the more my later fascination with flowers and fragrances made sense.

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