Elegant: 152 posts

Versatile and polished blends

Modern Classics Gourmands and Lolita Lempicka

Among some perfume lovers gourmand fragrances are the equivalent of chick lit, somehow seen as pleasant, entertaining but a guilty pleasure nonetheless. Although the fragrance shops are full of boring blends that smell like candy factories, this genre is far from dull and embarrassing. Not only do the sweet accords have a long tradition–visit the Osmothèque and ask to smell Parfums de Rosine’s Le Fruit Défendu, a banana sundae extravaganza from 1916, they also can be as complicated or as simple as a perfumer’s imagination allows. To defend this maligned genre, I bring to you the next installment in the Modern Classics series, Gourmands and Lolita Lempicka. My new FT column is all about indulgence and pleasure, without a shade of guilt.

Lolita Lempicka arrived in the wake of Angel in 1997. It is a perfume for those who want to avoid the jejune prettiness and cloying sweetness of many gourmand fragrances, while offering an indulgence. The heart of Lolita Lempicka is a clever pairing of patchouli (a nod to Angel) and iris. In a brilliant twist, the cool character of iris inflects all layers of the composition, rising like a soft mist over the confection of liquorice, Amarena cherries and praline. To continue, please click here.

The previous fragrance in the Modern Classic series was Serge Lutens’s Féminité du Bois.

Please let me know about your favorite gourmand perfumes. Do you have any sweet fragrances that are appropriate for the warm weather?

Photography by Bois de Jasmin.

Three Ultimate Iris Perfumes

Once, as I was telling Maurice Roucel how much I loved his Iris Silver Mist, a perfume he created for Serge Lutens, he laughed and explained that Lutens kept asking again and again for more iris, so he ended up using all the iris aromatics in the catalogue of his company and essentially “mixing them together.” Roucel can be refreshingly self-deprecating about his work, but I knew that achieving the precise harmony of Iris Silver Mist took much more than just blending all irises in sight. For me, it evokes the cool, frozen beauty of this complex note in a way that few other iris perfumes can.

In my recent FT column, I examine three iris classics, describing what makes them compelling and memorable. Above all, iris as an ingredient deserves attention because it’s one of the most layered, rich but difficult materials available to perfumers.

The first time I smelled iris essence, I stood for a few minutes with a perfume blotter under my nose before I regained my senses. In an instant it conjured up frozen petals and snow-covered trees, and while this image of a winter garden was vivid, I couldn’t easily describe the fragrance. It was like nothing I had encountered before, and pinning down its radiant but surprisingly potent scent proved difficult. To continue, please click here.

What are your ultimate iris perfumes?

5 Iris Perfumes and One Dumas Novel

Iris has the reputation of being a cold and austere note. Obtained from the roots of iris pallida, rather than flowers, it smells of its source–more like a sliver of frozen woods than petals. (This is why iris in perfumery is not quite a floral note, and it’s classified separately, between woods and violets.) And yet, it’s my favorite scent for winter. It fits so perfectly into the wintery panorama of scents that I can hardly imagine these cold days without an opaline sillage of iris. On the other hand, a beautiful perfume is beautiful all year round, so I’m slowly transitioning to spring with my bouquet of irises.

The indisputable gold standard irises are Chanel No 19, Serge Lutens Iris Silver Mist, and Annick Goutal Heure Exquise. Hermès Hiris is another notable fragrance, often referred to as “a cult favorite,” whatever that means. Although I enjoy No 19, Iris Silver Mist and Hiris, my personal iris cult is more varied, a testament to the allure of this ingredient.

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Cartier L’Envol : Perfume Review

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Despite dire prognoses that perfumery is dying and that “there is nothing good anymore”, this year brought a number of fragrances I was happy to discover, namely, Azzedine Alaia, Galop d’Hermès and L‘Envol de Cartier. I point out these three perfumes in particular, because I not only liked them, I wore them so much that they now can be called staples. That all three are easily available from the department store is a bonus point. I’ve reviewed Alaia and Galop here, while my discussion of L’Envol de Cartier appears in my FT column, Fragrance Inspired by Flight.

cartier-envol

“The idea of a fragrance inspired by flight has two iconic precedents, both from the 1930s. Caron’s marvellous orange chypre En Avion was dedicated to the first women pilots such as Hélène Boucher and Amelia Earhart, while Guerlain’s Vol de Nuit paid homage to the writer and pioneering aviator Antoine de Saint-Exupéry. These are fitting associations because flight is key to understanding fragrance – perfume takes off in the air the moment the liquid touches the skin. Perfumers control the effects of their compositions by using materials of different volatilities – citrus and green notes soar in an instant; musks and woods are slower to become airborne.

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Aedes de Venustas Grenadille d’Afrique : Perfume Review

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When Serge Lutens came up with an idea for Shiseido’s Feminité du Bois, he was asked so often about his “vision of a woman” that he got exasperated and said that he wasn’t making a perfume that smelled of any woman, that he merely wanted the smell of Moroccan cedar. That was in the early 1990s. I’d wager that today few briefs will surprise a perfumer, even as in the case of Aedes de Venustas’s Grenadille d’Afrique, the request is for ebony, “from crackling sap to balmy resin and from smoky wood to sun-heated stone… [and] also the primal landscape in which it grows.” For this, we have to thank Lutens and other niche pioneers.

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At first glance, Grenadille d’Afrique is a classical Aedes perfume–dry woods, peppery spices, amber, a hint of incense. With seven fragrances in its collection, the New York boutique has put together a coherent, well-edited lineup. Even if it’s famously enamored with incense, its touch is delicate enough, neither the church nor the ashram. Grenadille d’Afrique, however, brings a new element that I haven’t noticed before–retro glamour.

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