Oud: 24 posts

Natural perfumer Mandy Aftel created Sepia out of an exchange with fellow California perfumer Laurie Erickson of Sonoma Scent Studio.  This, the third installment of Nathan Branch’s Letters to a Fellow Perfumer project, involved each of the perfumers working with a material they had not used before.  Erickson chose black and blue hemlock spruce absolutes for a perfume that became Forest Walk.

Aftel originally selected natural alpha ionone (a violet-like smell) and a fire tree absolute for an idea she had to depict her feelings about California’s Gold Country and its ghost towns, of “the beauty of what remains after something is ravaged by time.”  Shortly into the project, Aftel abandoned both of these original materials, replacing them with flowering tobacco absolute and blond cedarwood and from this built her fragrant tone poem of both an imaginary past and a present reality.

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There are some varieties of rose that smell fresh and delicate at first and then reveal a piquant, peppery bite. You pull away from the blossom with a start, the tingling sensation still in your nose and can’t help yourself leaning in for another inhale. My first impression of Oud Ispahan, a new addition to Christian Dior’s La Collection Privée, was similar—the compelling sparkle of the top note contrasted dramatically with the darkness of patchouli and oud.

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The combination of violet and oud is like a romance between Doris Day and Cary Grant—one is wholesome and innocent, the other is dark and smoldering. Yet, just as Day and Grant set the screen on fire in the comedy, “That Touch of Mink,” violet and oud can be an irresistible pairing as I discovered through Lalique Hommage à l’homme.

Hommage à l’homme is the newest Lalique perfume created by perfumers Christine Nagel and Mathilde Bijaoui. It’s a masculine fragrance, and while it’s much too virile for me personally, I would gladly smell it on men around me. You will not find typical masculine cologne elements wrapped into the elegant shape of Hommage à l’homme. It’s the fragrance equivalent of a leading man in a classic Hollywood film—dashing, suave, and sophisticated. Hommage à l’homme smells like something worn by Cary Grant, whether he dashes around the French Riviera with Grace Kelly or tries to woo Doris Day with mink coats and champagne.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

I now know that the worst thing after a perfume reformulation is a relaunch. You mourn your long lost favorite, stock up on bottles and brace yourself for the day when a spray releases nothing but a few scented puffs of air. Then you learn that the brand valiantly decides to reissue the fragrance and your hopes are resuscitated once again. You seek out a sample, eagerly apply the liquid to your skin and—it is not the same! That is exactly what I experienced with M7 Oud Absolu, a relaunch of the marvelous and polarizing Yves Saint Laurent fragrance M7.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

When I read about the niche perfume line by Kilian coming out with Amber Oud, a new fragrance for its Arabian Nights Collection, I did not feel at all excited. Another oud, another amber, another overplayed trendy note. So, when a helpful sales associate at Saks asked me if I wanted to try the new fragrance, I reluctantly reached for the blotter. I gingerly sniffed the white paper, and suddenly I was charmed. As I was drawn deeper into the spicy warmth of Amber Oud, I could not even hear the din of Saks’s beauty department, nor did I realize that I was blocking someone’s way. I was only conscious of the dark sweetness coming off the blotter, a mélange of spices, vanilla liqueur and smoky woods.

Sure enough, by Kilian’s prices brought me to the ground with a thud. Still I walked away with a sample, with which I have been living for the past couple of weeks. The beguiling moment of my first encounter with Amber Oud comes back whenever I wear it, which is a rare delight. There is nothing tired about this idea—the dense and rich oud is interspersed with the dry, crisp amber, which cuts through the richness and heft. The medicinal, “band aid” impression disliked by oud detractors is not obvious here. Like perfumer Calice Becker’s other ouds for by Kilian, Rose Oud and Pure Oud, it is similarly luminous. However, Amber Oud is the softest of her oud interpretations, a perfume with a suave, caressing character.

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