Please welcome a contribution from Courtney Humphries, who will join us at Bois de Jasmin. Courtney is a freelance journalist and author living in Boston, and she writes about science, health, and culture for a variety of publications. I especially recommend her article for Wired, Engineering Replacements for Essential Perfume Ingredients. Courtney became enamored with perfume after wandering into a Diptyque shop several years ago and smelling Philosykos, which immediately captured her attention. As she describes, “A quick web search on it led me to perfume blogs and reviews, and my journey went from there.”
Before I became a perfume lover, I regarded fragrance much the same way most of the people I know do: as an afterthought. Perfume was a functional product to help me smell good in social situations. I usually owned just one bottle of perfume, and if I remembered I’d spritz a tiny bit on before going out to a party or on a date. Just as often, I’d forget to put it on before leaving the house, so the bottle would languish on my dresser for months or years, until I tossed it in the trash (in those days I believed perfume “went bad” after a year or two).
When you own only one bottle of fragrance, your choices are minimal—you’re either perfumed or you’re not. For me, that decision depended on whether the occasion met a certain threshold of “specialness” that justified going scented.
But when I became interested in perfume, I began to see fragrance as a source of personal pleasure. I had to make a leap from what had been my “normal” way of thinking about perfume—that everyone needs just a single fragrance—to the quite radical notion that one can collect an entire wardrobe of fragrances.
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