Books: 108 posts

On Thursday, Russia launched a missile attack on Lviv, a city in western Ukraine, about 60 km from the Polish border. A jewel of Renaissance art, Lviv has a long history. Today it stands in mourning, grieving over the lives lost in the bombardment. Some of its beautiful buildings are in ruin. A few years ago, I spent a memorable time in Lviv with my mother and fell in love with the city. Below is my tribute to its fin-de-siècle allure–and the nostalgic beauty that unities Lviv with another gorgeous city on the other side of the border, Kraków.

In 1808 Franz Xaver Wolfgang Mozart, the youngest son of the famous composer, traveled to Lemberg. Today it’s Lviv, a city in western Ukraine, but when the eighteen year old pianist was packing his sheet music and books and setting off on his journey, it was located in Galicia, an entity created by Joseph II after the partition of Poland in 1772. (It was the same Joseph that commented about the Marriage of Figaro, “too many notes, Mozart.”) While young Mozart was aware that he was trading Vienna for the provinces, he was in dire straits. Lemberg seemed like a promising place for a pianist to build his career and return to the capital. Mozart ended up staying for more than two decades.

Young Mozart’s early letters to his family were filled with mentions of his “loneliness [Einsamkeit].” He acutely felt the Galician isolation and complained that his inspiration was deserting him. He envisioned all of the brilliant conversations he could have experienced in Vienna society, the music, the books, the arts, and despaired of finding anything similar in Lemberg. Franz Mozart’s output over his lifetime was indeed small, yet, what becomes obvious is how much he drew on the local surroundings and how creatively he interpreted them.

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I’m delighted to share that my book The Rooster House is now available in the USA and Canada. It has been released by Abrams Press on June 27th and it’s now on the bookshelves around the country. The New York Times ran a review of my book earlier this week.

“When something of ours, something we took for granted as being ours, is destroyed before our eyes,” writes the Ukrainian-born journalist Victoria Belim, early in her absorbing memoir, “we are destroyed along with it.” “When Going Home Becomes a Fact-Finding Mission,” The New York Times, June 27, 2023

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My book The Rooster House was published yesterday by Virago Press. It’s being released during a trying time for my country. Even though its story begins in 2014, my book explains the context in which the Russian invasion takes place. It does so by focusing on ordinary people and their voices. While the book recounts Ukrainian history through a personal story, it celebrates four generations of remarkable women who held our family together through the most trying circumstances. As The Rooster House reveals, Ukrainian history is full of tragic events, but it is also a testament to the resilience and strength of Ukrainians. My great-grandmother Asya and my grandmother Valentina possessed incredible emotional resources, which made them able to protect their family and take care of their land.

As I wrote my memoir, I sought to capture my grandmothers’ lessons in seeking beauty and deriving support from creative pursuits like embroidery or gardening. For this reason, Ukrainian culture and art form the leitmotif of The Rooster House, and I take the reader on a journey with me through descriptions of Ukrainian scents, foods, nature, and arts. My memoir is an invitation to stroll through our cherry orchard in Bereh and become more intimately familiar with the elements that make up the colorful and diverse Ukrainian identity.

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A few days ago I was going through some old photos when I came across this image of my mother and me taken in our apartment in Kyiv. I must have been 5-6 years old and I still remember this photo session. My father’s friend Petya, a professional photographer, came over to take photos of our family and had us pose in different ways. For some reason, I didn’t like posing the way Petya suggested, so my mother gave me a book and the result was this photograph.

The moment I picked up the photo, I could imagine the heft of that book, its shiny green cover and the colorful drawings of plants. I recalled that it was a book of medicinal plants. It used to be one of my favorite books to leaf through, and  when I learned to read, to lose myself in its descriptions of plants, their aromas and healing properties. The more I thought about the book, the more my later fascination with flowers and fragrances made sense.

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I’m delighted to share that I will be participating in Hay Festival Wales 2023. The program is now live at hayfestival.org/wales.

Friday 2 June 2023, 5.30pm
Event 298 Victoria Belim and Kevin Jared Hosein in conversation with Rosie Goldsmith
I recently read Hosein’s novel Hungry Ghosts and it moved and impressed me, so I look forward to our conversation.

I will also participate in Passa Porta Festival in Brussels on March 26th, when Oksana Zabuzhko and I will meet for a conversation. If you are in Brussels, I hope to meet you there. For my other book news, please take a look at The Rooster House book page.

In other news, I made the cover of The Bookseller magazine last month. I spoke with Caroline Sanderson about The Rooster House, Ukraine and yearning for home. Our interview is included in the issue.

“A Wild Swans for Ukraine is how I’ve come to think of The Rooster House: A Ukrainian Family Memoir by Victoria Belim. An enthralling richly-layered story told across four generations, it’s a major 2023 title for Virago, was one of the most talked-about books at London Book Fair 2022 and is set to be published in 16 languages. It powerfully illuminates the context of the current conflict in Ukraine but goes beyond it too in reflecting on culture and art, geography and language and how they influence the complexities of who we are.” Victoria Belim in conversation about her memoir, a history of her family’s past and a celebration of Ukrainian identity

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