Divine: 3 posts

Divine Spirituelle : Perfume Review


Divine is a perfume brand from the region of Dinard in the north of France. It’s niche in terms of distribution, which is pretty much only the Dinard shop in Brittany and a couple of online retailers, but if your definition of niche is avant-garde and quirky, then Divine doesn’t fit. The collection is classically themed and understated. What makes Divine such an appealing brand is quality and polish. Nowhere is it more obvious than in its latest release, Spirituelle.


Created in collaboration between Divine’s founder Yvon Mouchel and perfumer Richard Ibañez, Spirituelle is a rose. If you use perfumery jargon, an oriental rose, which merely means a rose laced with spices and incense. Since rose has a perfect affinity with dark, rich notes, there is nothing particularly unusual about Spirituelle’s theme. It hints at its sultry personality, but it’s still understated and soft. The allure of Spirituelle unfolds when lulled by its mild charms, you wear it to the office and suddenly, in the middle of another long, stressful day, find yourself wrapped in layers of petals and amber. It lingers for many hours on skin, changing ever so slightly, but every facet, every layer of it is delightful.

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Divine L’Ame Sœur : Perfume Review



Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Divine L’âme Sœur creates an illusion of opalescent dust falling on dewy petals. The veil of aldehydes is, at first, hazy and opaque, however almost instantly it begins to fade revealing tropical opulence of ylang ylang and rich fruitiness of jasmine. While ylang ylang is a heady note, aldehydes render it ethereal and elegant, smoothing its rough edges and softening its sharp lushness. Indeed, Ernest Beaux was the first perfumer to discover the unique affinity between aliphatic aldehydes and ylang ylang, when he created Chanel No. 5.

L’âme Sœur, which means “Soulmate,” was created by Yann Vasnier for Divine, a fragrance house founded by Yvon Mouchel in Dinard on the northern coast of Brittany. If it is possible to conceive of a perfectly elegant fragrance that nods to the classical tradition without being repetitive, L’âme Sœur is it. A beautiful rose note lends an appealing sweetness to the heart of the composition, complementing the crisp white shimmer of aldehydes.

Once the fragrance dries down, a luminous note of ambergris resurfaces to support the composition. In L’âme Sœur, the peculiar winey and stunningly sensual scent of ambergris is present as a wave of warmth that softens the lush florals. Where rose was tempted to appear as heavy and sweet, it is rendered as sun drenched and delicate. The juxtaposition of sensual warmth with the cool aldehydic opening is what makes L’âme Sœur particularly exciting. The final result is not so much powdery as one would expect from an aldehydic fragrance, as it is reminiscent of cashmere. Cashmere softness that caresses the skin and holds its warmth is the association that the dry down of L’âme Sœur brings to mind.

Mary Cassatt. At the Theater.. 1879-1880. Pastel on paper. The Nelson-Atkins Museum of Art, Kansas City, Missouri. Abcgallery.com

Divine L’Homme de Coeur : Perfume Review



Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The scent of iris is one of the most complex and elusive, weaving in metallic violets and snow covered roots. It is a melancholy fragrance by its nature, and it is fascinating to explore the possibilities it offers.

Divine is a small French perfume house located in Dinard on the northern coast of Brittany. Founded by Yvon Mouchel, its line includes three feminine and three masculine fragrances, out of which L’Homme de Coeur and L’Homme Sage are composed by a young perfumer Yann Vasnier. L’Homme de Coeur is an interesting interpretation of iris that exploits its crisp coolness more than its powderiness redolent of violets.

The iris leitmotif that is about to persist like a gentle melody throughout the entire composition is evident upon the first inhale. Tinged by sparkling juniper, iris steps in the background and allows cypress to dominate. The sheer scent of cypress, reminiscent of fresh pinecones and dry needles is a wonderful counterpoint to the metallic glow of iris. The spicy fruit scent of angelica lends an unexpectedly vibrant note that provides a perfect segue into the voluptuous iris heart. As the fragrance dries down, it warms up with sweet winey mustiness of ambergris. Yet, iris that provided a cool breeze leaves its mark, especially when its earthy and icy qualities are heightened by vetiver. As a woman, I feel perfectly comfortable wearing L’Homme de Coeur, however on a man, it is just ravishing.

Photo: Claude Monet. Monet’s Garden, the Irises. 1900. Oil on canvas. Musée d’Orsay, Paris. abcgallery.com

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