Kenzo: 5 posts

This spring is promising to be rose scented. Every other flanker, a sequel to the original big launch, seems to be reinvented in rose tinted prettiness.  From Kenzo to Cartier, every house has been thinking pink. Flankers are not known for being daring, and when I dutifully smelled through the whole lot, I felt that I was smelling the same perfume over and over again. Fruity, sparkling, instantly forgettable. In the end, I picked six fragrances that stood out, although you will see that in some cases this is an underhanded compliment.

Why bother then? Most of these fragrances will not appeal to perfume lovers used to the opulence of florals or the tinge of animalic notes hidden among the fleshy petals. By contrast, all six rose perfumes I’ve selected are clean and dewy. Some of them are better than others, but overall, this selection contains nice options for anyone who prefers their florals fresh and sparkling, without the cloying sweetness that’s a common theme in most feminine new launches. Simple and pretty are not negative qualities, and occasionally, this is exactly what hits the spot.

Today, I’m reviewing three fragrances that pair rose with white florals: Valentino Valentina Acqua Floreale; Kenzo Amour I Love You; and Juicy Couture La La. The white florals, be it tuberose or gardenia, have a creamy sweetness that contrast well with a sheer, citrusy rose accord.

Valentino Valentina Acqua Floreale

Valentina Acqua Floreale follows in the footsteps of its older sister, Valentina. The bubble gum tuberose of the original is sheered out, made less cloying and thick. It reminded me of a milder Juicy Couture. The vibrant start of citrus and orange blossom fades to a soft, musky drydown that goes by the “sexy clean” moniker in fragrance houses. On the other hand, Valentina Acqua Floreale is so perfectly well-behaved and inoffensive that I doubt one can have a strong opinion about it. It’s radiant, sheer and coy. It would make a sophisticated fragrance for a teenage girl. While it’s not a drama queen, it’s a good quality perfume, with smooth development and decent longevity.  Continue reading →

I love those moments when I catch a whiff of something beautiful and it turns out to be my own perfume. Kenzo Jungle L’Éléphant doesn’t unroll like a neat scroll; it undulates like ripples on water. Suddenly you find yourself catching a wave of scent–cardamom stewed plums,  smoky woods and dried orange peel, and it feels so unexpected and delightful.

Those who know Kenzo from their latest tame releases–Amour, Madly, and the like, will be surprised by Jungle L’Éléphant. It smells like something that should be called “Noir,” “niche”, and “exclusive”. Instead, Jungle L’Éléphant is available at Sephora* and online discounters. In 1996 when Jungle L’Éléphant was launched, Kenzo wasn’t the dull mainstream house that it is today, and this perfume is a great example of their previously bold and exotic aesthetic.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Kenzo Flower is an example of a well-crafted and unique fragrance, which is neither a hard-to-find niche nor a revered classic from the turn of the 20th century. Created by perfumer Alberto Morillas and launched in 2000, it still remains as one of top selling fragrance in Europe, along with marvels like Chanel No 5, Dior J’Adore, Chanel Coco Mademoiselle, Thierry Mugler Angel and CK One. Flower is a beautiful example displaying that an impressive sillage and tremendous lasting power do not have to conflict with a nuanced and delicate overall impression. In fact, throughout its development, Flower retains a soaring, radiant quality, which is quite unexpected in a floral oriental blend.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Based on the concept of travel through Asia, the newest release from Kenzo, KenzoAmour, seems far too delicate and fragile to take one on a whirlwind ride. Instead, the comforting sensation it conjures makes me lose the desire to embark on a long journey. The fragrance was created by Daphné Bugey (Le Labo Bergamote 22, Rose 31, Neroli 36), who chose the notes and Olivier Cresp (Paco Rabanne Black XS), who formulated the perfume. While the resulting composition is not strikingly original, it has enough character to maintain interest. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

How can roots be made soaring, their dark earthiness turned into the effervescence of champagne and their woodiness into the lightness of rice paper? If the roots are vetiver and the perfumer is Maurice Roucel, the result is KenzoAir (2003)—a transparent and crisp arrangement of vetiver resting on a sheer ambery base. …

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