Les Nez: 2 posts

The first time I tried Manoumalia, a perfume from the niche fragrance house Les Nez, I was so repulsed by its heavy sweetness that I immediately ran to scrub it off my skin. The same thing happened when I tentatively approached it again. How could anyone enjoy something that smells like rotting fruit and wilting flowers, I wondered? But in spite of myself I kept my sample around and from time to time I would pick it up and sniff the cap until one day it dawned on me that Manoumalia isn’t so much a pleasant scent as a whole sensory experience. It smells so realistically of the tropics that wearing it is like stepping off the plane into the dark Indian night. It’s a sensory rollercoaster.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

For the past week I have been wearing and enjoying the three fragrances from Les Nez, a niche line established by designer René Schifferle: L’Antimatière, The Unicorn Spell and Let Me Play the Lion…   The bold interpretations and unusual harmonies of the compositions lend the line the cerebral and avant-garde quality, which does not come at the expense of wearability. Moreover, there are additional reasons to anticipate an interesting outcome from Les Nez. The perfumer behind the line, Isabelle Doyen has created such gems as Annick Goutal Sables, Grand Amour and Songes. Her work for Les Nez further explores the neo-classical elegance of her orchestrations, yet with a more assertive touch. The contrasts are made more pronounced, the dissonances explored further and the impact heightened. …

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