Film Noir: 60 posts

When the mesmerizing Spanish actress, Rossy de Palma, decided to create a fragrance, she selected rose as her main theme. While the choice of such a classical flower for the star of Pedro Almódovar’s Women on the Verge of a Nervous Breakdown might have struck some as surprising, the perfumers Antoine Lie and Antoine Maisondieu weren’t taken aback. They were the co-authors of de Palma’s scent, and when it was released as Eau de Protection by the niche perfume house Etat Libre d’Orange, the result was anything but staid. As the perfumers knew, rose had many faces, and it could be made as smoldering or as innocent as an artist’s skill allowed.

Eau de Protection opens up on a spicy but fresh accord of green citrus peel and black pepper, but as the rose unfolds, so does the dark note reminiscent of damp soil and antique woods. Spice, honey, green sap, and fruit, the notes present in rose absolute, are cleverly highlighted in the fragrance, but the overall effect is abstract. The perfume is memorable not only because of its opulent character—aided by the generous dose of natural rose essence—and original interpretation, but also for doing away with the usual gender labels.  For a man who loves patchouli, amber and dark woods, the prominent rose notes in Rossy de Palma’s Eau de Protection aren’t too challenging. On the other hand, a woman who wants to eschew the cliché of “sweet and pretty” would find it a perfect statement fragrance.

Continue reading →

Narcissus is a flower that doesn’t smell floral. In general, the perfumery palette abounds in aromatics that play tricks on the senses. For instance, an iris note in fragrance smells more of carrots than of blossoms. Patchouli, a leaf, smells like woods. And so on. Narcissus, however, is one of the most intriguing ingredients. If you expect petals, April showers and gauzy lightness, you’ll be in for a surprise.

On its own narcissus absolute smells of woods and leather and has a facet reminiscent of damp hay. If you let it develop on a blotter and sniff it the next day, you’ll notice caramelized spices–cinnamon and clove–and a hint of musk.  It’s a powerful material and it often plays the role of a supporting player in the composition, lifting up the delicate floral or citrus accords or else accenting the woods and animalic notes. Guerlain’s Vol de Nuit is one of the best examples of narcissus in classical perfumery.

Continue reading →

Although classical leather notes in perfumery are dark and dramatic like Robert Piguet Bandit and Grès Cabochard, this theme offers many variations, including the soft and creamy ones. In my recent FT column, Leather Scents with a Soft Focus, I describe different ways in which leather can be interpreted. I also talk about my idiosyncratic behavior at the vintage shops.

Unconventional is the leather collection of Serge Lutens. The line has a number of fragrances with leather accents, whether Sarrasins, with its interplay of leather, jasmine and musk or Fumerie Turque, which weaves leather into tobacco leaves and rose petals. Cuir Mauresque, however, makes this tanned note the star player. It is buttery and rich, oscillating between the darkness of amber and the spicy bite of clove. What makes its leather tender and luminous is the clever addition of orange blossom and mandarin. Inspired by the old tradition of perfuming gloves with fragrant pomades, Cuir Mauresque conjures up vintage handbags and well-worn armchairs in old libraries. To continue reading, please click here.

Where do you fall on the leather spectrum, dark or light?

Image via FT

The smoky aromas of bonfires, roasted chestnuts, frankincense and lapsang souchong tea are among the most complex, and I know quite a few individuals who fantasize about a fragrance that smells like a smoky charcoal-grilled steak. There is a difference, however, between enjoying a scent in its proper context – charred ribeye at a barbecue or burning leaves in an autumnal park – and wearing a fragrance that reprises such odors. For this reason, perfumery interpretations of smoke tend to blend it into a more familiar setting of woods, spices and resins. In my FT Magazine column, Smoky Perfumes, I explore how smoky notes are used in fragrance and what effects they produce.

One of the best introductions to a smoky perfume is L’Artisan Parfumeur’s Passage d’Enfer (£105 for 100ml EDT). Perfumer Olivia Giacobetti is known for her ability to create olfactory watercolours – airy, transparent compositions. Passage d’Enfer combines lilies and incense, filling the spaces between the white, cool petals with smoke. Giacobetti’s touch is light, and the perfume remains soft and radiant, from the smoky opening to the vanilla- and cedarwood-accented drydown. To continue reading, please click here.

What about you? Do you find smoky fragrances appealing?

Image via FT HTSI

If you’ve never tried any Comme des Garçons fragrances, think of the stuff you might smell at your car mechanic–tar, machine grease, burnt rubber. Today’s collection includes more than a dozen perfumes, and by and large, they have an industrial, deliberately synthetic feel (even if created with natural materials.)  To some people, these are the ultimate edgy perfumes, to others–smells to avoid.

Whatever camp you belong to, Black Eau de Toilette is likely to be a love it or hate it perfume. The name doesn’t lie–it’s a dark, potent brew. If you’ve ever dreamed of smelling like molten asphalt or barbecued ribs or a cross between the two, then your wish has come true.

Continue reading →