Spring: 98 posts

I’m inspired by the scents of spring, but this idea has little to do with the calendar season. My ideal spring is a state of mind, which is why the perfumes that evoke an exhilarating, uplifting sensation are part of my wardrobe all year round. The most effervescent among them conjure up the color green.

Chanel Cristalle is a classic example of a green floral that has a dazzling character and radiant aura. It suggests lemon peel and shimmer, with a bittersweet twist of orange blossom and petitgrain (distilled Seville orange leaves). The Eau de Toilette offers the freshest experience, but it can be difficult to find. While the Eau de Parfum is so lavishly decorated with hyacinth and narcissus that it becomes a velvety, baroque bouquet, it has an uplifting green note that feels like champagne bubbles. Cristalle Eau Verte is another beautiful rendition, sharper, brighter, and yes, greener.

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Every spring I make a Persian rhubarb sherbet by cooking sliced stems and sugar in water. Once the flavor and pink color infuse into the syrup, I filter the liquid and add rose essence. Enjoyed from tall crystal glasses, the sherbet has a voluptuous taste that calls to mind the warm light streaming through the stained glass windows of the Nasir al-Mulk Mosque, a pink-tinted jewel of Shiraz. If you would like to replicate this experience, I invite you to take a look at my recipe.

Since perfumery has much in common with cuisine, rendering my sherbet into a fragrance accord with a similar ornate impression is not difficult. Rhubarb has a natural affinity with rose, violet and berries, because they are complementary notes (and raspberry, in a nesting doll twist, contains elements of both rose and violet, which makes it an especially felicitous partner.)  Jo Malone White Lilac and Rhubarb explores this combination by augmenting the floral layer of rhubarb with a cocktail of rose and lilac. It’s a bright and happy perfume, with a nod to retro glamour.

Rhubarb may seem like a modern note in the perfumer’s palette, but in fact, it has a classical pedigree. A subtle effect, of green crunch and mouthwatering tartness, is found in Miss Dior L’Originale and Carven Ma Griffe. Today perfumers have more ingredients with rhubarb inflections at their disposal, using tartness to temper the sugary notes currently in vogue. For a rhubarb dessert, I might select Yves Saint Laurent Baby Doll, a compote of rhubarb, grapefruit and musk, or Burberry Brit Red, a crème brûlée topped with candied jasmine petals and gingerbread.

Just as it gives an interesting twist to a gourmand, rhubarb also makes green and resinous notes shimmer. To achieve such an illusion, Olfactive Studio’s Flashback dilutes the fruit with vetiver and just enough apple for a hint of delicate sweetness. Aedes de Venustas Eau de Parfum is an even more striking composition–it tosses rhubarb slices with basil leaves and incense. The effect is neither liturgical nor gourmand, but as fresh and exhilarating as being caught in a spring rainstorm.

Another fragrance I like is Hermès’s Eau de Rhubarbe Écarlate, a creation by perfumer Christine Nagel. Nagel is well-known for her sultry compositions that wear like cashmere wraps, and with Eau de Rhubarbe Écarlate she demonstrates that it’s possible to make a cologne seductive. She pairs rhubarb with citrus and red berries, but then she adds a dollop of musk to make the drydown suave and tender. The result is similar to my sherbet—opulent, rich, and just as delicious.

What are your favorite rhubarb fragrances? Also, if you cook with rhubarb, I’d love to hear what you make. 

Crushed young linden leaves — milky, tart, reminiscent of overripe lemons
Moist soil — pencil shavings, moss, steeped black tea, lingering spice, mineral dust
Bluebells — rose petals and lily of the valley soaked in almond milk, green, sweet, indolic
Lichen — Japanese ink, vintage face powder, cinnamon
Rowan flowers — pungent-spicy, powdery, dried mushrooms, almond candy
Lily of the valley — difficult not to think of Diorissimo, which is the best case of a nature reference in perfume
Nettles — grapefruit, green grape, crushed grass

A spring forest walk. Brussels. “Rice seedlings grow,” according to the Japanese traditional calendar.

Scent Diary is a place to write your observations about the scents around you–and about scents in your environment. Whether you write down 1 recollection or 10 matters less than simply reminding yourself to smell. You can add as many comments as you wish. You can comment today or over the course of the week; this thread will always be open. Of course, do share what perfume you’re wearing or what particularly good scented products you’ve discovered.

While looking through my articles, I found this article that I wrote a few years ago but that still remains popular and often-read: A to Z Tips for Enjoyable, Affordable and Rewarding Perfume Hobby. If you have any tips to add, I’d love to hear them.

Photography by Bois de Jasmin

Despite a persistent belief that perfumers aim to imitate nature, fragrance is about a fantasy. So looking for the exact smell of a rose in a bottle is like reading Dostoyevsky’s Crime and Punishment to relive a vacation in Saint-Petersburg, even if said sojourn involved all things dark and sordid. Like literature, music, and sculpture, perfumery is a meditation on reality, rather than its photographic reflection. The best of compositions give us a glimpse into someone else’s world and their olfactory idea of a rose—or a cup of black tea, their lover’s skin, or a melancholy evening in Paris.

Each one of us might interpret the aromatic message in different ways. For instance, when I smell Balmain’s Vent Vert, I feel the same exhilaration as I do on the first days of March when the air smells intensely green and fresh. My friend, on the other hand, finds it disconcerting and aggressive, a storm of sharp, raspy notes that leaves her lightheaded. Considering that Vent Vert’s creator, Germaine Cellier, minced neither words nor accords, perhaps my friend’s impression is closer to the original intention of the perfumer. Vent Vert has long been discontinued and difficult to find, but for a similarly effervescent experience I suggest The Different Company Tokyo Bloom.

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As I was updating my ISIPCA course and preparing my new spring seminars, I tried a selection of new launches, some of which seemed interesting enough to share with you in a separate article. While new launches are almost always skewed towards Christmas sales, I like the spring offer because it tends to show a greater variety of compositions. There will still be a wave of summer flankers and sports colognes, but for now, we have many radiant florals, soft chypres and salty vetivers.

Dries Van Noten Mystic Moss (perfumer Nicolas Bonneville)

An elegant composition centered on vetiver, with a strong salty, seaweed facet. Imagine driftwood on the beach. An effervescent combination of cardamom and mandarin lends it brightness that lasts even when the darker woods take over.

Guerlan Rose Amira (perfumer Delphine Jelk)

A Persian-style rose perfume where roses are liberally layered with incense and dark woods. If you like your roses smoky and mysterious, this is the right fragrance for you. It features a natural rose note, which is splendidly warm and honeyed. While Rose Amira is currently a duty-free exclusive, it will be distributed more widely later this spring.

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