Patchouli: 47 posts

Givenchy L’Interdit 2018 : Fragrance Review

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Givenchy the couturier was catapulted into stardom by his work with Audrey Hepburn. Their partnership resulted in one of the most distinctive wardrobes in fashion history, from the embroidered gown of Sabrina to the little black dress of Breakfast at Tiffany’s. Equally important was Hepburn’s role in making Givenchy the perfumer. L’Interdit was the first Givenchy perfume, and whether Hepburn wore it or not, she claimed it as her signature fragrance. 

The original 1957  L’Interdit was a floral aldehydic with enough elegance to make one feel dressed up, even if you wore only pyjamas. Think Chanel No 5, but soft, warm and with a delicious strawberry note.

I say was, because in 2005 Givenchy reformulated it. The change was done by perfumer Aurelien Guichard, and it made the fragrance less aldehydic and starchy, but also simpler. Still, as far as updates go, it was decent in that it retained the character of the original. You can read my more detailed review, in which I compare the original and the 2005 version.

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Ormonde Jayne Cuir Imperial : Perfume Review

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A certain type of leather scent is guaranteed to catch my attention. Dark, spicy, with a hint of birch tar smokiness. Think Chanel Cuir de Russie on the elegantly austere end of the spectrum or Serge Lutens Cuir Mauresque on the opulent dimension.  Ormonde Jayne Cuir Impérial falls somewhere in between. It places a trimmed down and polished leather accord against a Nezami garden of pleasures–rose, sandalwood,  saffron and iris.

Cuir Impérial reveals all of its treasures readily, and its opening is exciting. The blend of spicy and lemony notes makes for a bright start, and if you wonder how a spice can be zesty, try crushing a pod of cardamom. The lemony bite in the top notes of Cuir Impérial is fueled by cardamom, along with a dose of bergamot and pink pepper.

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By Kilian Noir Aphrodisiaque : Perfume Review

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Tonka bean, ginger, vanilla, Sichuan pepper, coriander, rose, mint… The flavors Jacques Génin uses in his confections might as well be taken straight from a perfumer’s palette. The Parisian chocolatier is known for his daring combinations of flavors and his impeccable craftsmanship. His caramels are legendary. His millefeuille is a towering delight of cream and shards of pastry. His pâtes de fruits look like jewels. He pairs chocolate with spices, roots and herbs, but the result is rarely predictable. Even an ingredient as ubiquitous as cinnamon becomes a surprising note in his hands, as it reveals its floral and woody nuances.  Not for nothing, the epithets used to describe Génin include “wizard,” “madman,” and “genius.”

Génin’s most recent collaboration is with by Kilian, an artisanal fragrance house led by Kilian Hennessy, and perfumer Calice Becker.  As an inspiration for a perfume, chocolate is a complicated note. It tastes sweet, but it smells animalic and pungent. Part of the flavor in most commercial chocolates is given by vanilla, which softens the animalic tang but also rounds out and simplifies the scent. So instead, Becker looked to Génin’s favorite ingredients such as Ceylon cinnamon and Calabrian bergamot to craft her perfume.

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Thierry Mugler Angel Muse : Perfume Review

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Elisa on the Angel tribe and Angel Muse.

To my mind, the original Thierry Mugler Angel is pretty much unimproveable. Nevertheless, I enjoy almost all of its many flankers and spin-offs too. It’s like one of those great songs whose greatness is preserved in multiple cover versions. (“Wild Horses” and “Landslide” spring to mind.)

The latest version of Angel, Angel Muse, was billed in the ad campaign as “the new fragrance you will hate to love.” I’m pleased that the folks at Mugler have embraced Angel’s inherent divisiveness and want to nurture, rather than overwrite, that reputation. After all, is there any perfume from the past 30 years that inspires such strong love-it-or-hate-it reactions? I do, in a sense, hate to love it, since it’s so unpopular and so recognizable I wouldn’t really feel comfortable wearing it, say, to work or on an airplane, and I wear it most often at home.

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Christian Dior Sauvage : Perfume Review

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Replace Alain Delon with Johnny Depp, add a generous dose of Bleu de Chanel in the mix, shorten the name–and voilà, a new bestseller in the making. Although this kind of launch often strikes me as lazy, its make a lot of marketing sense. Sauvage banks on the impressive heritage accrued by its predecessor Eau Sauvage, and what it lacks in originality it makes up with presence. If you complain that perfumes don’t last on you, then look no further. Sauvage will not leave you alone.

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On the other hand, those who would like complexity and interesting stories should take to other pastures. Sauvage offers neither. It’s fresh, bright and radiant, with a pearly toothed Colgate commercial in a perfume bottle. I predict that we will smell many similar fresh-enough-to-disinfect accords in other fragrances in the coming months.

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