Sandalwood: 42 posts

Milk Sandalwood Fragrance from The Chinese Book of Incense

Due to a last-minute change, I have a space available in our Scent Training Masterclass on August 24, Saturday, 6pm-7:30pm CET (12pm-1:30pm EST).
Location: Zoom
Class duration: 1.5 hours
55€ SOLD OUT

I enjoy recreating historical fragrances. Even when modern materials are used, the combinations turn out to be so unusual and memorable that finding more sources for antique formulas becomes a quest. My incense journey began while I was conducting research for the ISIPCA course I’m teaching this fall, focusing on the cultural and historical significance of fragrance. As I delved into the subject, my interest in the ancient practices of China, particularly the art of incense, grew stronger. I was already familiar with Japanese incense from my university studies and travels and I knew that the tradition came to Japan from China during the Tang dynasty (618–907 CE) and evolved into its own form. Learning about the original incense recipes and the scent philosophy in China thrilled me as it reminded me once again how deep and complex are the interactions between scent and culture, fragrance and art, perfume and society.

Incense was considered one of three “refined arts” in ancient China, along with tea ceremony and flower arrangement. Some of the earliest mentions of incense combinations date to the 3rd century BCE. As still remains the case, agarwood, the petrified wood of the aquilaria species, was the prized fragrance material, admired in its own right. Ancient texts mention frankincense and clove as ingredients to add facets to agarwood and lend it a different character, depending on the incense blender’s mood and artistic choices. Chinese women even mixed incense into makeup powders to paint their eyebrows black.
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The Allure of Sandalwood

My mother-in-law rubbed a piece of pink colored wood on a rough stone until it turned to paste.  My husband and I were about to travel back to Europe, and in the Hindu custom, my mother-in-law performed a puja, an act of worship, to ensure our safe journey. She lit joss sticks around the deities and dabbed some of the paste on the figurines of gods arranged on her small altar and then on our foreheads. The fragrance of sandalwood rose in the warm air. Many hours later as I sat on the airplane, the creamy, floral perfume lingered around me, carrying with it the memory of a caring touch.

puja

In Indian paintings you can sometimes spot curious image of snakes curving sensually around sandalwood trees. According to legend, the tree releases such a beautiful scent that serpents are charmed by it. More than a pleasing aromatic, sandalwood is a means to feel closer to the divine, for all creatures alike. This is the reason why Vedic religious rites, from birth to death, are accompanied by this precious wood.

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Sandalwood : Woods Series (New Video)

I’m continuing my woods series and today I’m discussing sandalwood, the most distinctive sweet wood in the perfumer’s palette.
The beauty of sandalwood lies in its sweet and creamy scent that differs from the aromas of other woods, which tend to be dry and sharp.

While I mention a variety of perfumes in this video, such as Serge Lutens Santal de Mysore, Santal Majuscule, Ambre Sultan, Jeux de Peau, Chanel Égoïste, Guerlain Samsara, Diptyque Tam Dao and 10 Corso Como, this is far from a complete list. Therefore, I wanted to supplement it with several other examples of excellent sandalwood perfumes.

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Dry vs Sweet vs Bitter : Perfume Descriptors (New Video)

What does dry mean when applied to a perfume? In fragrance, dry is used to describe compositions that are not sweet–it’s similar to wine terminology. Since the distinction can be confusing, I made a video comparing and contrasting different woods based on their main characteristics–dry, sweet or bitter.

Examples can be drawn from the whole perfume wheel, but I decided to focus on woods, because it’s easy to see why cedarwood is classified as dry and sandalwood as sweet. There are also many excellent perfumes on the market that fully explore these characteristics of raw materials and make them the key elements of their structure. The creamy sweetness of sandalwood in Serge Lutens Santal de Mysore, for instance, is its hallmark trait. The dryness of cedarwoods gives Cartier Declaration and Hermès Poivre Samarcande their pleasing sharpness.

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Tom Ford Lost Cherry : Perfume Review

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Expensive fragrances get more scrutiny, and that’s only fair. If a brand wants you to pay over $200 for a bottle of scent, then you should be certain that you’re getting your money’s worth. In the case of Tom Ford, you’re paying for the name, luxurious packaging and the whole style factor that gives Ford an edge. That being said, the collection has a number of perfumes where even the special markup can be justified. Lost Cherry is one of those fragrances, because when Ford wants a bombshell perfume, he doesn’t hold back.

The name, only a touch less vulgar than Tom Ford’s F*cking Fabulous, suggests fruits and sweetness, but Lost Cherry is a sophisticated blend of woods in the style of Serge Lutens’s original Feminité du Bois. Lutens commissioned it as a woody fragrance for women, a request that at the time made a few eyebrows rise. 27 years later, nobody is surprised by “feminine woods,” but many brands still shy away from embracing the idea fully. In other words, woods play a secondary role to fruit, caramel, flowers or vanilla. Women who want woods, without too many embellishments, might well turn to the masculine side of the fragrance counter. 

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