Vanilla: 43 posts

Guerlain Shalimar L’Essence : Perfume Review

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Guerlain Shalimar L’Essence (українська версія)

When a house like Guerlain marks the centenary of its most famous perfume, expectations run high. Shalimar is more than a fragrance; it is a myth. Born in 1925, Jacques Guerlain’s creation was radical in its structure: a dazzling bergamot opening tumbling into smoke, balsams, and a warm, animalic vanilla base. It was perfume as sensation, unapologetically modern and deeply sensual.

Shalimar L’Essence, launched in 2025 by Delphine Jelk, does not attempt to recreate that audacity. Instead, it revives the formula of Shalimar Millésime Vanilla Planifolia (2021), a limited edition that quickly became a cult favorite. Fans of that release will be pleased to know that L’Essence brings the same opulent, liqueur-like vanilla into the permanent collection.

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Vanilla-Scented Orchids in Perfume

Stepping inside the Princess of Wales Conservatory during Kew Gardens’ annual orchid festival—it usually runs from February to March—is a chance to discover how beautiful the fragrance of these opulent tropical flowers can be. While the most popular orchids sold by florists are unscented, there are also many perfumed varieties, with their aromas spanning the full olfactory spectrum from effervescent lemon to dark chocolate.

One such scented orchid is vanilla planifolia. Perhaps it’s not surprising, since this plant produces one of the world’s most fragrant spices. The flowers have a delicious aroma reminiscent of creamy jasmine and green grape. Although more subtle than the scent of vanilla pods, it has inspired perfumers to create fragrances around vanilla flowers relying on the recent studies of orchids and their aromas.

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Vanilla Orchids

Stepping inside the Princess of Wales Conservatory during Kew Gardens’ annual orchid festival is an opulent fragrant experience. While the most popular orchids sold by florists are unscented, there are also many perfumed varieties, with their aromas spanning the full olfactory spectrum from effervescent lemon to dark chocolate.

In my recent FT article, Vanilla Orchids, I describe one of the most famous perfumed orchids, Vanilla planifolia. Perhaps it’s not surprising, since this plant produces one of the world’s most fragrant spices. The flowers have a delicious aroma reminiscent of creamy jasmine and green grape. Although more subtle than the scent of vanilla pods, it has inspired perfumers to create fragrances around vanilla flowers, relying on recent studies of orchids and their aromas.

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L’Artisan Parfumeur Couleur Vanille : Perfume Review

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The combination of salt and vanilla is not common in perfumery, despite the ubiquity of these ingredients in modern patisserie. For one thing, salt is a fantasy impression created by certain marine and dry woody notes in fragrances, and its effect is cancelled out by the sweetness of vanilla. Also, when a perfume promises vanilla, we expect warm, creamy and cuddly–a bowl of custard, if you will. L’Artisan Parfumeur Couleur Vanille, however, dares to be different.

While retaining the creaminess and dark sweetness of vanilla, perfumer Aliénor Massenet, who worked with L’Artisan Parfumeur on this launch, blended fresh floral and salty notes to balance out the richness. The sweet and salt facets give Couleur Vanille its personality, right from the top notes.

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Tom Ford Lost Cherry : Perfume Review

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Expensive fragrances get more scrutiny, and that’s only fair. If a brand wants you to pay over $200 for a bottle of scent, then you should be certain that you’re getting your money’s worth. In the case of Tom Ford, you’re paying for the name, luxurious packaging and the whole style factor that gives Ford an edge. That being said, the collection has a number of perfumes where even the special markup can be justified. Lost Cherry is one of those fragrances, because when Ford wants a bombshell perfume, he doesn’t hold back.

The name, only a touch less vulgar than Tom Ford’s F*cking Fabulous, suggests fruits and sweetness, but Lost Cherry is a sophisticated blend of woods in the style of Serge Lutens’s original Feminité du Bois. Lutens commissioned it as a woody fragrance for women, a request that at the time made a few eyebrows rise. 27 years later, nobody is surprised by “feminine woods,” but many brands still shy away from embracing the idea fully. In other words, woods play a secondary role to fruit, caramel, flowers or vanilla. Women who want woods, without too many embellishments, might well turn to the masculine side of the fragrance counter. 

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