Poltava, in central Ukraine, is famous for its honey. Every year the city and its environs host fairs celebrating honey in all its forms, and whenever I visit my grandmother, who is a Poltava native, I enjoy this sweet treat in gingerbreads, cakes, drinks and even savory dishes. One of the most beloved local pairings is first-of-the-season honey drizzled over cucumbers.

On a recent visit, I discovered yet another way to eat honey – infused with roses. It was heaven. So, for my recent FT column, The Fragrance of Honey and Roses, I’ve decided to recreate this combination and to find fragrances that are build around the rose-honey accord.

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Are you looking for a new fragrance? Our “Recommend Me a Perfume” thread is open this week. You can use this space to find perfume recommendations, to share your discoveries and favorite scents, and to ask any questions about scents, aromas and flavors.

How does it work: 1. Please post your requests or questions as comments here. You can also use this space to ask any fragrance related questions. To receive recommendations that are better tailored to your tastes, you can include details on what you like and don’t like, your signature perfumes, and your budget. And please let us know what you end up sampling. 2. Then please check the thread to see if there are other requests you can answer. Your responses are really valuable for navigating the big and sometimes confusing world of perfume, so let’s help each other!

To make this thread easier to read, when you reply to someone, please click on the blue “reply” link under their comment.

Photography by Bois de Jasmin

Imagine right now standing under a tree and hearing the wind rustling through its leaves. If you enjoy this vision, I would like to share a Japanese poem with you.

Wind blowing through green leaves
I see a shrine
And I pray

青嵐神社があったので拝む
Aoarashi Jinja ga atta node Ogamu

Japanese haiku are full of seasonal words, which serve as a guide to the reader. For instance, this charming poem by Ikeda Sumiko (池田澄子, born in 1936) contains the word aoarashi.  It means wind blowing through green leaves and it’s a seasonal word for the fifth month.

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A Japanese friend once served me a cup of sakurayu, a salted cherry blossom tea that she brought from Kyoto. The flowers unfurled slowly in the hot water, turning the liquid a shade of pale pink and infusing it with the aroma of almond and apricot. This springtime drink made me wonder what it is about the combination of salt and flowers that makes it so intriguing. The topic of salt and flowers is the subject of my FT column, Magic of Salt. I explore salty effects in perfumery and the way they can uplift floral notes.

Salt has its own mild scent and, depending on its processing and provenance, it ranges from bitter and iodinated to flinty and flowery. However, the magic of salt is its ability to volatilize the aromas of other ingredients. You can experiment by cutting a tomato in half and smelling it raw. Then sprinkle it liberally with salt, wait for a few minutes and have another inhale. Even if your tomato is an uninspiring greenhouse variety, once salted, it will have a more pronounced perfume. To continue reading further, please click here.

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“They thought I was a surrealist, but I wasn’t. I never painted dreams. I painted my own reality,” Frida Kahlo once said. An artist is inseparable from their art, and this idea is particularly dramatic in the case of Kahlo, whose body of work is based on the explorations of self. Of the 143 paintings Kahlo left behind, 55 are self-portraits, brutal, honest, startling. What’s more, Kahlo was conscious of the power of the image, and she also fashioned self through her choice of clothes, colors and accessories.

I admit that I didn’t appreciate the importance that Kahlo assigned to her clothes, jewelry and perfume until I saw the exhibit of the artist’s possessions at the Victoria & Albert Museum in London. The image of the Mexican artist—the colorful skirts, the flower-decorated braids, the unibrow—entered pop culture to the point that we risk forgetting the artist behind a fashion icon. In order to understand her art, is it necessary to know that Frida Kahlo wore Guerlain’s Shalimar and Schiaparelli’s Shocking and draped herself in Mexican dresses and Chinese silk?

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