New Perfume Launches: 143 posts

Reviews of new fragrance launches

Neela Vermeire Creations Niral : Fragrance Review

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My saris are my personal archaeological layers. The turquoise and saffron one was bought from a market in Pune on my very first trip to India. The magenta one with the border of gold thread woven into the peacock pattern came from a cavernous shop in Gujarat, where I sat in a hot daze surrounded by towering stacks of silks. The hot pink one with the silver embroidery was a nod to Mumbai fashions circa 2005 picked up on a whim, along with matching bangles. The sienna and orange one was given to me on my wedding day by my parents-in-law.

My saris live in a box and I wear them only when I’m in India. Here, in Belgium, they don’t feel right. A sari needs the context–the music, the movement, the heat, the chaos of an Indian wedding. So I spread them out on the furniture to enjoy their colors, but I drape myself in a sari-like perfume of layers and folds. Like Neela Vermeire’s Niral, for instance.

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10 Perfumes For a New Spring

Spring is the time when I crave to make a change–and when it seems that anything can be possible. I make plans to visit new places, learn new things, read more widely, research a completely new topic like Renaissance cuisine or Leonard Foujita’s paintings or the poetry of the late Tang period. I similarly want to push my horizons with new scents.

Neela Vermeire Niral

A chord of violet powder and rose petals, Niral starts as a flower fit for a Victorian corsage, but beneath the softness and candied violet sweetness lies the darkness of sandalwood. A cool touch of angelica, one of the materials that currently intrigues me, gives a sleek shape to this opulent composition. A blood relative of Mohur, the other plush perfume from Neela Vermeire’s line, and also of L’Artisan Parfumeur Traversée du Bosphore. Created by Bertrand Duchaufour, who is able to interpret the French-Indian vision of the house’s founder without recourse to cliches.

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5 New Perfumes for Fall : Reviews

I’ve been making lists of fall fragrances ever since the end of summer when the new launches started appearing. So, I decided to narrow down my selection to a few perfumes I enjoyed and wore. In this installment, I will talk about 5 such fragrances. They weren’t picked to be traditionally seasonal, and they range from citrus colognes to floral orientals. With the possible exception of Twilly, they’re for both men and women.

Twilly d’Hermès

Twilly d’Hermès is one of my favorite launches this year. The fragrance was inspired by Hermès’s narrow scarves, and if the house aimed for a blend as versatile as its famous accessory, then it more than succeeded. More than that, it also demonstrated that it’s possible to create a lighthearted, pleasing perfume that still smells clever, memorable and plush. The core of the fragrance is composed of ginger, tuberose and sandalwood, notes that together create a colorful, exuberant effect. The floral accord of Twilly is abstract and luminous, but it has a creamy sweetness that’s the trademark of white flowers like tuberose. Like most of Christine Nagel’s perfumes, it blossoms on skin and has a seductive, coquettish flair.

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Atelier Cologne Café Tuberosa : Perfume Review

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I sometimes notice that coffee smells better than it tastes–or that it doesn’t taste the way it smells.  Even the aroma of coffee, for instance, is difficult to sum up–sweet, bitter, spicy, acidic, toasted, burned, with hints of blackcurrants, chocolate and hazelnuts. Even more difficult is to render coffee notes believable in a perfume without making one smell like a badly washed coffee mug, or worse, a piece of grilled meat. Coffee notes are stubborn. I’ve been on a search for successful coffee perfumes for a while, and this fall I’m adding a new contender to my collection, Atelier Cologne Café Tuberosa.

The idea behind Café Tuberosa is clever–take a creamy tuberose accord, brighten it with bergamot and give it a bittersweet rush with coffee. All three are bold, strong notes, but the whole fits together so harmoniously that it makes me wonder why this motif is not more explored.

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Chanel Gabrielle : Perfume Review

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After years of waiting for Chanel’s next big launch, here comes Gabrielle. “A rebel at heart…passionate and free,” exalted the press release, using words like radiant, sparkling, luminous and “purely feminine.” Although Coco Chanel was a talented individual and a major force in fashion, as a personality I don’t find her all that appealing. But then again, it wasn’t the first time the brand relied on the designer’s charisma to cast a spell. Coco, one of the most baroque and elegant perfumes of the 1980s, used Gabrielle Chanel’s nickname and an image of her reclining in her Coromandel-decorated salon. So what’s wrong with Gabrielle?

One fundamental thing. Unlike its namesake, Gabrielle the perfume doesn’t aim for originality. Gabrielle is a shadow of Coco Mademoiselle, with less personality, less character and less presence. Take Coco Mademoiselle, remove all of the bling and earthy bit of patchouli, put it through a laundry cycle with white musks, garnish it with a few white florals—and here you go, Gabrielle.

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