3 stars: 213 posts

The scent of sandalwood is glorious–creamy, velvety, with a rich rose nuance. It’s as if wood shavings had been steeped in rose liqueur and then drizzled with cream. I remember the bliss I felt while leaning over a vat of vetiver-sandalwood attar in Kannauj, a town in northern India renowned for its scents, and immersing myself into a cloud of fragrant vapor. I still have a handful of sandalwood chips from that trip and they retain their beautiful aroma. The combination of sandalwood and vetiver is even more spellbinding.

Of course, there are plenty of sandalwood-vetiver fragrances, from Serge Lutens Vétiver Oriental to Maison Louis Marie No.04 Bois de Balincourt. I enjoy all of them. Yet the sandalwood fragrance I wear the most is Forest Essentials Sandalwood & Vetiver Scented Body Mist. I bought it on the same Indian trip when I traveled to Lucknow and Kannauj researching the history of attars.

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The last time I was in Venice, the water level rose precariously leaving me with no choice but to stay on the balcony of my hotel. It was a disquieting experience to watch parts of the city disappear under the sea and yet, it was sublime in the way that nature can be. Venice is the ultimate oeuvre d’art—and the ultimate example of human folly, a city created on land stolen from the Adriatic. Its splendor and vulnerability explain why throughout its history Venice has served as an inspiration for writers, painters and architects. Sophie and Didier Guillon of the Swiss skincare house Valmont are among the latest creators to be enchanted by La Serenissima.

Guillons launched Le Storie Veneziane with five perfumes in 2018, and newest fragrance collections, Collezione Privata and Palazzo Nobile, likewise draw inspiration from Venice, its palaces, gardens, and colors.

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Givenchy the couturier was catapulted into stardom by his work with Audrey Hepburn. Their partnership resulted in one of the most distinctive wardrobes in fashion history, from the embroidered gown of Sabrina to the little black dress of Breakfast at Tiffany’s. Equally important was Hepburn’s role in making Givenchy the perfumer. L’Interdit was the first Givenchy perfume, and whether Hepburn wore it or not, she claimed it as her signature fragrance. 

The original 1957  L’Interdit was a floral aldehydic with enough elegance to make one feel dressed up, even if you wore only pyjamas. Think Chanel No 5, but soft, warm and with a delicious strawberry note.

I say was, because in 2005 Givenchy reformulated it. The change was done by perfumer Aurelien Guichard, and it made the fragrance less aldehydic and starchy, but also simpler. Still, as far as updates go, it was decent in that it retained the character of the original. You can read my more detailed review, in which I compare the original and the 2005 version.

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The best rendition of magnolia I’ve tried was Pierre Bourdon’s Sous Les Magnolias from his eponymous perfume line. It had the lemony ice cream richness of the southern flower, but instead of rendering it photorealistically and flatly, Bourdon structured the fragrance around a mossy-earthy chypre accord. It was a genius decision. Unfortunately, Sous Les Magnolias can be hard to find.

When I read about Les Parfums de Rosine offering Magnolia signed by Bourdon, I assumed that it would be close to his own magnolia.

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It’s easy to be dismissive of a perfume like Mon Guerlain. It checks off all of the contemporary cliches–fruity-floral, sweet, and pretty. One can almost guess what it would smell like by looking at its adorable pink bottle. And it first, Mon Guerlain indeed smells predictable, a fruit compote accented with citrus and spiced with patchouli. Yet, in perfume, as in life, it pays to be open-minded.

Those who are willing to give Mon Guerlain a chance will find an upbeat, easy to wear fragrance with a solid Guerlinade imprint. How it gets there is the most interesting part.

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