amber scents: 40 posts

Les Nez Manoumalia : Perfume Review

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The first time I tried Manoumalia, a perfume from the niche fragrance house Les Nez, I was so repulsed by its heavy sweetness that I immediately ran to scrub it off my skin. The same thing happened when I tentatively approached it again. How could anyone enjoy something that smells like rotting fruit and wilting flowers, I wondered? But in spite of myself I kept my sample around and from time to time I would pick it up and sniff the cap until one day it dawned on me that Manoumalia isn’t so much a pleasant scent as a whole sensory experience. It smells so realistically of the tropics that wearing it is like stepping off the plane into the dark Indian night. It’s a sensory rollercoaster.

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Estee Lauder Bronze Goddess Capri : Fragrance Review

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Elc

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Bronze Goddess is a summer limited edition fragrance, which Estée Lauder brings back every year with a flanker. This year’s variation is Bronze Goddess Capri, a “solar Oriental fragrance inspired by the seductive Isle of Capri.” Neither Capri nor summer flankers (the perfume equivalent of movie sequels) tempt me much, but the original Bronze Goddess is such a brilliant composition of creamy coconut and dry amber that every year I anticipate its sister fragrance as well.

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Sonoma Scent Studio Fireside Intense and Winter Woods : Perfume Review

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woods

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Some perfumes appeal to me for their complexity, others for their unusual character. Whenever I explore the collection of Sonoma Scent Studio, I realize that what draws me to Laurie Erickson’s work are the personal stories that she paints with her scents. Erickson’s fragrances are like glimpses into her own universe, reminiscent more of Annick Goutal’s spontaneous etudes than Guerlain’s studied epics. Fireside Intense and Winter Woods illustrate this idea well. They are the scents of a bonfire, of smoldering cinders and of tobacco crumbs in the pages of old books.

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Arquiste Parfumeur Anima Dulcis : Perfume Review

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A piece of dark chocolate is my idea of a perfect dessert. It is bitter and creamy, sweet and nutty, tender and animalic. Chocolate has such a kaleidoscopic range of flavors and aromas that it would seemingly be perfect as a perfume note. Yet, instead of conveying luscious darkness, most chocolate fragrances go no further than the creamy cocoa impression suggested by vanilla and milky notes.

Still Life with Sweets and Pottery

 

As beautiful as true dark chocolate can be, it is extremely challenging to work into a composition. The very qualities that chocolate lovers crave—bitterness and richness—can register more like a gamey stew than a mouthwatering confection. Enter Arquiste Parfumeur Anima Dulcis, a fragrance that does not shy away from bringing out the animalic facets of bitter chocolate, while remaining harmonious and tempting. It is an oriental composition that hints at gourmand, but ends up in an unexpected chocolate incense territory.

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By Kilian Amber Oud : Perfume Review

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Amberoudkilian

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

When I read about the niche perfume line by Kilian coming out with Amber Oud, a new fragrance for its Arabian Nights Collection, I did not feel at all excited. Another oud, another amber, another overplayed trendy note. So, when a helpful sales associate at Saks asked me if I wanted to try the new fragrance, I reluctantly reached for the blotter. I gingerly sniffed the white paper, and suddenly I was charmed. As I was drawn deeper into the spicy warmth of Amber Oud, I could not even hear the din of Saks’s beauty department, nor did I realize that I was blocking someone’s way. I was only conscious of the dark sweetness coming off the blotter, a mélange of spices, vanilla liqueur and smoky woods.

Sure enough, by Kilian’s prices brought me to the ground with a thud. Still I walked away with a sample, with which I have been living for the past couple of weeks. The beguiling moment of my first encounter with Amber Oud comes back whenever I wear it, which is a rare delight. There is nothing tired about this idea—the dense and rich oud is interspersed with the dry, crisp amber, which cuts through the richness and heft. The medicinal, “band aid” impression disliked by oud detractors is not obvious here. Like perfumer Calice Becker’s other ouds for by Kilian, Rose Oud and Pure Oud, it is similarly luminous. However, Amber Oud is the softest of her oud interpretations, a perfume with a suave, caressing character.

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