japanese poetry: 2 posts

The World in a Haiku

Silent the old town
the scent of flowers
floating
And evening bell
-Matsuo Bashō (1644-1694), translated by Jane Reichhold

Haiku condenses. Haiku magnifies. If haiku speaks of a flower, it doesn’t compare the poet to a flower or the world to a flower. It says, the world is a flower. The world is in the flower petal. The details are refined by the poet’s imagination, who pours the whole experience into seventeen syllables. Haiku is the essence.

Discontented
Violets have dyed
The hills also
-Shiba Sonome (17th century), translated by Earl Miner and Hiroko Odagiri.

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Cherry Blossom Haiku

The sky shifts with the cherry branches above my head. I’m lying on the grass staring at the blossoms. This idyllic scene would be straight out of a Japanese silk painting were it not for the fact that I’m dressed for garden work and the reason I’m in a reclined position is because I’m exhausted after weeding the garden. But as the petals fall on my face, I forget about the back pain and think of my favorite haiku by Matsuo Basho, the 17th century Japanese poet.

How many, many things
They call to mind
These cherry-blossoms!

Haiku weaves vivid images, and cherry blossom themed poems have an element of contemplation and bittersweetness that is compelling. The sight of blossoms, so exquisite and so evanescent, is a reminder of the transience of things, and while it can be melancholy, it’s also reassuring. Everything passes–and then returns.

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