learning perfumery: 4 posts

How to Handle Self-Isolation and Not Lose One’s Mind

My daily routine during intense writing periods is almost always the same. During the week, I wake up at 6am, start working at 7am and continue until 5-6pm, with lunch, coffee break and language lessons in between. I’m so preoccupied throughout the day that I don’t see anyone in person other than my husband and the local shop owners during the week. I usually save weekends for friends and other social activities. So, the new quarantine and lockdown rules that are becoming strictly enforced here don’t change my routine dramatically. This is not the case for many others. “How do you manage to work at home and not lose your mind?” my friends ask me.

Create Your Community

While I require solitude when I work, being part of a community is essential to me. Over the years I’ve gravitated to such communities of people. Those of you coming to Bois de Jasmin, for instance, comprise one of those communities. I enjoy the conversations I have with you, whether they’re about scents, books, embroidery or random observations on life in general.

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Scents of the Burgundian Spring : The Perfume Course

Wrapping up yet another perfume course, I want to linger over each moment that we shared together and examine how far we’ve come over three days of intensive studies. Originally, my course took shape as a rigorous training program for perfumery professionals, aimed at educating people who work in the perfume industry (but who haven’t had perfumery training) and to give them an appreciation for perfume history. When I adapted it for fragrance lovers, I discovered that my method worked to help anyone, regardless of their knowledge of fragrance or background, to sharpen their sense of smell, learn how to smell and how to analyze mixtures from the simplest to the most complex.

Even as I teach the subject I’ve spent more than a decade exploring, I discover new facets to familiar scents, new ways of talking about aromas and new ways of connecting different sensory impressions. It’s because of the subject matter itself, which is vast, but also because of the people who come to my classroom–and to Bois de Jasmin–and their willingness to share their experiences. Thank you to all of you!

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The Art of Perfume Course : Workshop

Here is a recap of the three days of our Art of Perfume course: on Day 1 we visited the Edmond Roudnitska garden and explored the International Perfume Museum in Grasse, on Day 2 we learned about perfumes that influenced fragrance history and more, and on Day 3 we applied our newly learned skills to practical exercises.

As I mentioned before, my course was designed with all of the rigor of a professional training program, keeping in mind our time limitations. It takes years to learn how to make a perfume, but one can acquire basic knowledge of raw materials and try simple exercises to see how they interact together. All of this not only helps deepen one’s knowledge of perfumery, but also makes one’s perceptions sharper.

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The Art of Perfume : Perfume Techniques and Stories

I already wrote about my most recent perfumery course, covering the first day of our activities, visiting the Edmond Roudnitska garden and exploring the International Perfume Museum in Grasse. Today I’m continuing with our second day, which covered perfume history and professional smelling techniques.

Whenever I hear the phrase “perfume history,” I think of the typical introductory chapter in books on fragrance that start with the Egyptians and the stuff researchers still find in the pyramids. Then a writer might continue with a short homage to the Romans, include a remark on the use of perfume by the bath fearing Europeans in the Middle Ages and with a clear conscience they skip to the brave new world of the 20th century and its Chanels and Guerlains. Perfume history is fascinating stuff, but why is it presented in such a dull manner? I want to do something different.

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