sandalwood: 15 posts

It rained the other day. Again. The drops covered the windows, turning the red roofs of the nearby buildings and the delicate church spires into an impressionistic blur. I’ve learned to enjoy the melancholy serenity of a rainy day, but there are times when the grey mist makes me feel listless and depressed. On such days, I throw open my perfume cabinet and reach for scents that remind me of someplace warm and sunny.

One such perfume is sandalwood. Its creamy sweetness and heavy richness takes me to India, which may be a stereotypical association, except that India, my India, is thoroughly permeated with sandalwood. As a bride, I was rubbed with rosewater and sandalwood paste to make my skin glow. I was fed sandalwood scented milkshakes and fudge. Wherever I went, I smelled sandalwood incense.  No wonder that Serge Lutens Santal Blanc whispers Indian stories to me.

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Part 1: Florals ~ Rose
Part 2: Florals ~ Jasmine and White Florals
Part 3: Florals ~ Lily of the Valley and Violet
Part 4: Florals ~ Blends
Part 5: Essentials
Part 6 : Orientals

Autumn is the time of year when I reach for woods fragrances from my collection, hoping to recall memories of crisp leaves, curls of wood smoke, and the bracing green of pine. Woods fragrances may include sandalwood, cedar, oak, pine, and cypress (plus more), and also include for classification’s sake patchouli and vetiver.  Some woods fragrances smell like the outdoors, while others smell like an antique treasure chest and still more use wood as a basenote, skipping the ambient quality and using wood as a background support.

Wood notes are used in both male and female fragrances and may be interpreted differently.  In male fragrances, woods can suggest rugged masculinity (Coty Wild Woods) or they can be smoothed over with elegance (Chanel Égoïste).  A large amount of sandalwood in Samsara enhances the seductive nature of this Guerlain classic.  I enjoy the dryness and sharpness that wood notes can bring to fragrances, and their combination of elegance and sensuality.

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As I described in my post on sandalwood fragrances the other day, I’ve always had a romantic and exotic association with sandalwood. Its perfume of roses and cream–so rich, so haunting, so long lasting–seems like a whiff from some other world. Scheherazade’s palace in the Arabian Night Tales must smell of sandalwood. If so, who would be better placed to create a fairytale sandalwood perfume than the man who made a career out of worshiping beauty–Serge Lutens.

Like a modern day Scheherazade, Lutens weaves one tale after another, with the leitmotif of a fantasy running through the collection. Perhaps it is for this reason that his large range doesn’t feel redundant. Or perhaps I’m too much of a fan of his tales to be tired of them. Whatever the case may be, Santal Majuscule is the latest fragrance to cast upon me the Lutensian spell.

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My first whiff of real sandalwood came from a necklace my aunt’s husband sent her while he was working abroad. As fate would have it, he had to leave for the Middle East just as they got married, and his letters and gifts were always a big event for us. As my aunt read one of his passionate love letters, the necklace was forgotten on the table, and I came closer to inspect the small carved beads. Tan brown and small, they didn’t look like much, but their perfume of roses, warm milk and incense was so vivid that today, more than two decades later, I can recall it perfectly.

This early romantic and exotic association with sandalwood inspired my love for this materials. When I look at the notes I took during my perfumery training, the part on sandalwood covers about 10 pages. Although classified as a wood, sandalwood smells of cream and flowers. It has none of the raspy sharpness of rosewood, the pencil shaving bite of cedarwood or the earthy or damp tang of vetiver. Sandalwood is reminiscent of something one can enjoy in a dessert sprinkled with candied rose petals, and in some parts of India sandalwood flavors milkshakes and sweetmeats.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

“There are linear, vertical woods like cedar, and others that are horizontal, round, supple and velvet-smooth, such as sandalwood and massoia. With this understanding in mind, I composed this enigmatic, inviting yet distant perfume of milky woods, with its unusual, pungent hints of resin and dried fruit, and familiar smells of dulce de leche and flowers.” This description by Jean-Claude Ellena, the creator behind the newest launch from the Hermès’s Hermessence line, Santal Massoïa, captures the idea of this creamy woody composition. It is unusual and surprising in its treatment of sandalwood, the impression of which oscillates between the characteristic milky rose and sweet fig. At the same time, Santal Massoïa also smells hauntingly familiar and intimate: a mélange of warm skin, cold cream and green tea.

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