Christopher Sheldrake: 57 posts

def: vetiver — frequently used in perfumery, vetiver oil is steam distilled from the rootlets of grass Vetiveria Zizanoides. It has a dark earthy-woody aroma, with a grapefruit bitterness and a touch of anise-like sweet spiciness.

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The newest addition to Chanel’s Les Exclusifs range, Sycomore is advertised as inspired by the fragrance originally created in 1930. I have a bottle of the original, therefore I was curious to compare the two. I would describe the original Sycomore as closer in spirit to Bois des Iles (vetiver, sandalwood and soft aldehydes.) It played up its gamine features with a twist of tobacco and violet.  The new Sycomore eschews the obvious floral allusions. It is an elegant and pared down vetiver, which emphasizes the green hazelnut facet of the root. The embellishments are subtle, yet they serve to highlight the beauty of the raw material well. With hardly any retro references, Sycomore (2008) is a thoroughly modern fragrance. As far as I can tell, there are few, if any, allusions to the vintage. …

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Though it is Serge Lutens at his classical best, Bois Oriental from the sumptuous Les Eaux Boisées range* did not immediately appeal to me. The elegant Bois de Violette and the luscious Bois et Fruits were the more likely choices, leaving Bois Oriental to languish ignored. Yet, Bois Oriental deserves its moment in the sun as well, and it turned out to be just as complex, opulent and seductive as the rest of Les Eaux Boisées. …

Serge Lutens excels at weaving images from the Moroccan souks, Arabian Night tales and Moghul palaces. While Bois Oriental is certainly born in that tradition, it seems to possess a certain softness that I do not find to such an extent in the other Les Eaux Boisées. It flows like a tale that Scheherezade might have been told after knowing that the Sultan Schahriar had fallen in love with her, enchanted by her stories and kindness. Where the woods in Bois de Violette, Bois et Musc, and Bois et Fruits cradle a dominant note, be it a soft musk or caramelized fruit, Bois Oriental is a lavish tapestry of spices.

Wrapped into the creamy foil of vanilla, the hot spices of Bois Oriental feel warm rather than fiercely searing. Nevertheless, their opulence and harmony assure a dramatic statement. Moreover, adding to the excitement of Bois Oriental are the abstract gourmand touches, evoking the ruby hued candied quince, rose sherbet, and cardamom almond halwa. Yet, the smooth warmth of the base notes tones down the sweetness in a rather elegant manner, leaving one with only a faint impression of something delectable.

The lovers of Les Eaux Boisées and Shiseido Féminité du Bois will find Bois Oriental enchanting. Moreover, if you enjoyed Arabie for its Middle Eastern gourmand character, but found it overwhelming, you might like to explore Bois Oriental. The fragrance is very tenacious and long-lasting like all of Les Eaux Boisées, a range with a strikingly beautiful sillage. Bois Oriental includes notes of violet, peach, plum, rose, cardamom, cinnamon, clove, musk, Atlas cedarwood, and vanilla. It is available from Les Salons du Palais Royal.

Les Eaux Boisées range includes Bois Oriental, Bois de Violette, Bois et Musc, and Bois et Fruits, Un Bois Sépia, Chêne, and Santal de Mysore.

Scheherazade Telling the Tales by Kay Nielsen (1922).

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Lipstick and candied lady apples were the first associations that Rousse, the newest Serge Lutens’s fragrance, brought to my mind. One was conjured by the powdery violet note, the other by the intensely sweet and caramelized wood. Although I loved Chypre Rouge and Mandarine-Mandarin, Rousse was somewhat of a let down. It possesses neither the distinctive presence of Lutens’s fragrances like Iris Silver Mist and Ambre Sultan nor the classical elegance that marks Rose de Nuit and Chêne. It is simply a pleasant scent, but then again, the world is full of them. From Serge Lutens, I expected nothing but breathtaking, even if not conventionally pretty. …

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

When Serge Lutens decides to explore the hesperidic theme, one can be certain that the result will be a tale with a variety of fascinating characters and intricate subplots. Mandarine Mandarin, the newest fragrance created by perfumer Christopher Sheldrake, fulfills this expectation, resulting in an opulent oriental composition dominated by spice and amber. In contrast to the Arabian Nights adventures of Lutens and Sheldrake’s previous collaborations, Mandarine Mandarin offers a glimpse into A Dream of the Red Chamber, the 18th century Chinese Qing Dynasty novel. …

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The most compelling aspect of Serge Lutens’s fragrances lies in their exaggerated character, whether it is the tannic bitterness of oak in Chêne, the hay sweetness of coumarin in Chergui or the mineral chill of iris in Iris Silver Mist. Chypre Rouge does not deviate from the jewel encrusted opulence that one can glimpse in other Lutens compositions; however, the finished result reflects a blend of various elements that can equally well recount the story of Scheherazade as well as that of Hänsel und Gretel. …

Continue reading →