Hermes: 35 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

A dyed in the wool fragrance connoisseur is often apt to look down upon fruity floral fragrances, much like an aficionado of Albert Camus might spurn the work of Danielle Steele. After all, this fragrance family is one of the most popular among the large commercial launches, and its motifs can feel overplayed and tiresome. Yet, just like one should not judge a book by its cover, appraising fragrances by their notes is misleading. A strong fruity accord woven into a floral composition can result in Jelly Belly Fruit Salad or Frédéric Malle Le Parfum de Thérèse, depending on what the creator intends. A fragrance I like to bring up as an example of an utterly sophisticated and elegant fruity floral is Hermès Amazone.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The refreshing crispness of classical cologne with its brilliant citrus-woods accord and the uncluttered simplicity of its composition can belie a mesmerizing richness. One only needs to experience Guerlain Eau de Cologne Imperiale or Annick Goutal Eau d’Hadrien to understand how alluring a cologne can be on a hot summer day. Or, for that matter, on a freezing winter morning when reminders of spring are so welcome. At the same time, even more interesting are modern interpretations seeking abstraction where classical tradition relied on nature. For this reason, Hermes Cologne Trio was an anticipated launch for me, including as it did the classical Eau d’Orange Verte as well as modern renditions such as Eau de Pamplemousse Rose and Eau de Gentiane Blanche.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

I finally had to admit to myself that Hermès Kelly Calèche disappointed me. It did not deliver on the promise to evoke the prized soft leather of Hermès bags, which naturally possess a subtle floral accent; nor was the signature of genius perfumer Jean-Claude Ellena fully obvious in the final result. The fragrance in my mind was glorious, the scent on my skin turned out but a pale shadow of it.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The new Hermès fragrance Un Jardin Après La Mousson (Garden After Monsoon) was among my most anticipated launches this spring, simply because Jean-Claude Ellena, Hermès’ in-house perfumer, drew inspiration from Kerala, my favorite region in India. And my first stay in India coincided with the long-awaited beginning of the monsoon. As the first few drops of rain fell on the dusty streets of New Delhi, the stifling dryness of the air was cleared, the dust settled and the stone facades of the grand Mogul mausoleums took on a mesmerizing sheen. I sat in the courtyard of my friend’s apartment building surrounded by the smell of wet jasmine and ate the most luscious mangoes I’ve tried. It was pure bliss.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Although I enjoy the airy softness of Osmanthe Yunnan and the smoldering sensation of Ambre Narguilé, the only fragrance from the Hermès’s Hermessence collection for which I truly feel strong affection is Vétiver Tonka. Created by Jean-Claude Ellena, this composition is a startling tender vetiver melody. The pungent and woody root is often made even richer and smokier as in Frédéric Malle Vétiver Extraordinaire or the original version of Guerlain Vétiver. Or, in another extreme, it can be rendered as weightless and fresh as in The Different Company Sel de Vétiver. Either treatment can accent the fascinating tonalities of this amazing material, yet it is rare to discover vetiver transformed into a velvety, enveloping veil. This is exactly what Vétiver Tonka succeeds in achieving. …

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