Elegant: 198 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The fifth Armani Privé fragrance, Cuir Améthyste, does not engage in any subtle interplays. In fact, subtle is probably the least appropriate adjective to use in describing this fragrance. From the dense tangle of powdery violet notes to the opaque vanillic-ambery base, Cuir Améthyste moves with a heavy step.

It might be surprising to discover that Cuir Améthyste is composed by Michel Almairac, the same perfumer who created the serene minimalism of Bois d’Encens and its more ornamental sibling, Gucci Pour Homme (2003). …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Terre d’Hermès proves that the best non-niche releases over the past year are taking places in the masculine perfumery. Dior Homme, an iris wrapped into warm, sweet leather, Lanvin Arpege Pour Homme, a velvety violet-iris fougere are among some of the recent examples. Likewise, the new fragrance by Jean-Claude Ellena, Terre d’Hermès, has a number of qualities that make it exceptional—chiseled refinement of its elegant structure, unconventional, transparent take on the woody notes and remarkable quality of its ingredients. The composition conjures the intensity of sunlight reflected against the white stones of Roman ruins.

Jean-Claude Ellena’s theme of multifaceted transparency explored in his other creations, from Cartier Déclaration to Hermès Un Jardin sur le Nil, will be immediately recognizable in Terre d’Hermès. Nevertheless, it seems as if the theme has received further polish, luminosity and elegance. …

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Chanel No. 19 needs no words of praise because its beauty renders them superfluous. Even its seemingly difficult facets—the aggressive verdancy of galbanum, the woody duskiness of iris—are arranged in such a harmonious manner that one cannot but admire how the green, vibrant top notes melt into the leathery darkness of the base.

The number 19 refers to Coco Chanel’s birthday, August 19th. The story goes that No.19 was her personal fragrance; however, this is unlikely, since the perfume was composed only in 1970, less than a year before her death. No. 19 was created by the Chanel in-house perfumer Henri Robert, who is also responsible for the chypre austerity of Pour Monsieur (1955) and the shimmery bite of Cristalle EDT (1974). Robert created only a few fragrances for the house; however, his contribution cannot be measured by the number of perfumes linked to his name. Being responsible for maintaining the quality of Chanel No. 5, searching out the best quality materials and adapting the formula for the parfum de toilette and eau de toilette, Robert has to be credited for the continuing success of No. 5. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The first time I smelled Vétiver by Annick Goutal (1981), I was taken by the affinity between vetiver and marine notes. The earthy richness of the former, marked by the grapefruit bitterness complements the iodine smell of the seashore resulting in the aroma of driftwood covered with the wet shreds of seaweed.

The vetiver focused fragrances have a devout following among both men and women, with Guerlain Vétiver (1961) setting the gold standard with its elegant rendition of the balsamic root suspended between the transparent citrusy top accord and the spiced tobacco base. It maintains the Guerlinesque refinement with a glimpse of its seductive smile. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

“Let me tell you, I created [Rochas] Femme in 1943 in Paris during the worst days of the war in a building that had a rubbish dump on one side and paint factory on the other,” remarked Edmond Roudnitska about one of his most sensual compositions, a perfume that smells of woman’s skin and ripe summer plums.

Some perfumes become classics because they are based on appealing, commercial accords (carnation and patchouli, patchouli and maltol, to name some examples), and others gain the status of legends because of their haunting beauty, even if it presents a challenge. Femme’s beauty is arresting and spellbinding, its main accord heavy like a heart filled with longings. …

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