Fall: 101 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Idole de Lubin… “He embraced her nervously, not daring to ask the question that hovered upon his lips. She had placed a large package on the stand in the center of the room. Opening it she took out a tablet of soap, a bottle of Lubin’s extract, a sponge, a box of hairpins, a button- hook, and curling-tongs…” Guy de Maupassant, Bel Ami (1885).

The names like Lubin, L.T. Piver, Sauzé, Gelle Frères, Millot, Rigaud, Houbigant, and Roger & Gallet may not readily evoke the images of the grand perfume houses, yet until the 20th century, these firms were on par with houses like Guerlain and Coty in contributing to the “Golden Age of Perfumery.” Pierre-François Lubin established his firm under Napoleon in 1798 and eventually became Pauline Bonaparte Princess Borghèse’s appointed perfumer. Over the course of its history, the house created about 466 fragrances. However, its glory seemed to have vanished with the hats and gloves. In this light, it is fascinating to experience Idole de Lubin, created by Olivia Giacobetti. Inspired by the maritime spice routes and voyages to the far away lands, Idole takes the name of Lubin’s fragrance from the early 1960s. However, I should clarify that it is a completely different fragrance, rather than a remake of the vintage one. Could it be the sign of Lubin’s revival? …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The most autumnal of visions are the pyramids of pomegranates arranged at the markets beginning in September. I would find myself drawn to the stalls filled with red orbs reflecting shimmering light of a chilly golden morning. Each tiny ruby jewel contained within tough leathery skin is an explosion of tart flavor that is reminiscent of grapes crossed with plums. Therefore, the appearance of pomegranate notes in the fall releases is quite appropriate given the autumnal nature of the fruit. The scent of pomegranate is subtle, yet distinct, twisting the green powdery fragrance of its skin around the sweet-tart and winey aroma of the seeds. Two recent releases focus on the pomegranate notes, with Jo Malone offering a dry minimalist variant and Calvin Klein providing a more exotic and creamier arrangement. ….

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Armani Prive Ambre Soie conjures a sensation of bittersweet chocolate melting on the skin, as the composition warms up after the initial scattering of sweet and earthy anise notes. It alternates between hot velvety and dry powdery aspects, underscored by cinnamony sweetness.

Created by Christine Nagel in 2004 for Giorgio Armani’s exclusive collection Armani Prive, the composition presents several facets at once. Its sheer darkness is juxtaposed with spice dusted flower petals, without being evident whether one is feeling a sweet bite of clove or peppery warmth of carnation. Creamy, almost lactonic note smoothes sharp spicy edges into a soft mélange. However, there is an element of candy-like sweetness that strikes me as somewhat stilted, lending an opaque quality to the middle notes. It lightens as time goes on, losing the candy-like simplicity and revealing a chocolate touched by incense aspect of benzoin.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

If it is possible to envision a dark smoky composition done in watercolours, which would preserve both the vibrancy of hues and the lucidity, Olivia Giacobetti is the perfumer would be able to execute such an arrangement. L’Artisan Tea for Two (2000) is a fragrance that bears that beautiful Giacobetti-esque fingerprint. It is ethereal without being limpid and sensual without resorting to the tired tricks, a difficult feat indeed. Tea for Two is stunning on both men and women, with its smoky spiciness crossing all barriers and divisions.

Tea for Two is amazing in terms of its ability to change dramatically. The process resembles the development of photos–at first, one sees bare outlines, and then recognizable shapes begin to form. Soaring translucent notes of bergamot and orange blossom fade into the surge of smokiness. The rich tarry sweetness of lapsang souchong is like a vapor rising from a tea cup, hot and expansive.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Some fragrances are admirable from a distance (Yves Saint Laurent Opium), being masterfully composed, yet only marginally wearable. However, there is a category of fragrances that are beautiful from any perspective. Chanel Bois des Iles is one such composition, in which every element is just perfect and every facet is stunning.

It is said that Ernest Beaux, a Russian émigré, was inspired by “The Queen of Spades,” when he created Bois des Iles in 1926. “The Queen of Spades” (La Dame de Pique) is an opera by Tchaikovsky, based on Aleksandr Pushkin’s story of love and obsession. Bois des Iles is a scent that awakens my nostalgic yearnings. Its beauty has the same melancholy effect as a walk through the autumnal forest—the soft light diffused through the golden canopy of branches, the bittersweet scent of decaying leaves, the awareness of the autumnal transience.

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