Film Noir: 60 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

White jasmine, black jasmine. New love, old flame. That is how I think of Sarrasins, the newest fragrance from Serge Lutens’s exclusive range, and À La Nuit, the 2000 launch. Given the deep purple color of Sarrasins, one is led to expect a dark and sonorous rendition of jasmine. However, nothing could be further from the truth—Sarrasins is radiant, almost see-through, from its initial burst of citrus and wintergreen notes to the dry, leathery base. By contrast, À La Nuit has a remarkable heft, given its high calorie oriental base of vanillic balsams and resins. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

A woman who wears Paloma Picasso Mon Parfum is most certainly not a wallflower. Even the first impression of this fragrance banishes any thoughts to the contrary. The lemony brightness of hedione and the green richness of the floral accord do not hide the animalic warmth and honeyed patchouli foiling the heart of this distinctive composition. The Paloma Picasso woman is not a delicate waif nor is she an inaccessible ice queen. Mon Parfum is a smoldering beauty, with its masculine touches evoking the olfactory equivalent of a perfectly tailored tuxedo suit rather than a skintight dress. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Attending Sunday mass has never been a part of my childhood, and perhaps it is for this reason that the church service has never lost its romantic appeal for me. Even the simple act of burning frankincense satisfies my longings for its mysterious darkness and serenity. As a perfume note, it possesses a remarkable complexity and depth. In fragrance, frankincense tends to add the same beguiling sobriety and austerity that I discovered when inhaling its scent inside churches. Given its ornate quality, the less complicated the treatment of incense, the more rewarding the result. In this vein, the eponymous fragrance from Lithuanian fashion designer Juozas Statkevičius (Josef Statkus) is a composition that is bound to sway those with a penchant for the dark and sonorous incantations of incense.

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It would not be an overstatement to call Messe de Minuit the most arresting of Etro’s line. While it may not be the most approachable composition due to the musty touch of patchouli, malted warmth of honey and the aggressive sharpness of galbanum, the fragrance compels due to the harmonious blend of these diverse elements. There are no dramatic shifts between the vibrant citrusy tartness of the top notes and the honeyed musk of the base. Created in 1994 by Robertet’s Jacques Flori, Messe de Minuit strikes one somber note after another, allowing one to fall under its spell. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Immortelle, an everlasting dune flower with a distinctive savory maple syrup aroma, is not an easy note. It tends to dominate with its rich spicy warmth and dark sweetness. Annick Goutal Sables (1985) is brilliant, because it manages to build on immortelle without either twisting it beyond recognition or allowing it to assume a rustic demeanor. Even after experiencing the great immortelle compositions like Christian Dior Eau Noire and the playful ones like L de Lolita Lempicka, Sables still holds the crown for being the perfect example of a perfume based on immortelle. …

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