Opulent: 185 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

If Ambre d’Orient explored amber in the opulent and gilded interpretation, Oud Royal wraps it in leather and dry woods. While the boldness of oud, a natural raw material of striking richness and complexity, is the axis, around which Oud Royal revolves, the strength and persistence of amber makes it more of an animalic amber-leather composition. The surprises do not end here. As the fragrance develops, instead of a brash and animalic, it becomes smooth and seductive.

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The Arabian Tales still retain perfumery under their spell… L’Artisan Traversée du Bosphore took us on a journey to Ottoman era Istanbul. By Kilian Rose Oud suggested the heavily embroidered silks and glittering gold bangles of an Indian wedding. Frederic Malle Portrait of a Lady transformed English roses into a Moorish garden. Even ordinarily minimalist Diptyque presented Eau Duelle as a silver foil decorated sweetmeat. Now, we can add three new chapters to the 1001 Nights with a trio from Armani Privé La Collection des Mille et une Nuits: Ambre d’Orient, Oud Royal and Rose d’Arabie.

Ambre d’Orient was created by Firmenich perfumer Fabrice Pellegrin, who is also responsible for the aforementioned Eau Duelle, Thierry Mugler Womanity as well as two terrific (though now discontinued) L’Occitane fragrances, Amber and Cinnamon Orange.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The fragrance industry is in dire straits these days, a fact that is exacerbated by the economic crisis. Each new launch for a brand is becoming more of a gamble, more of a risk. For one of my projects, I spent last week smelling over 100 recent launches and at the end, I was shocked at how few I could remember at all. At times like this, a surprising and memorable fragrance is a wonderful discovery. Such was L’Artisan Parfumeur’s Traversée du Bosphore (and to a lesser extent, Coeur de Vétiver Sacré, which I shall discuss separately.)

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Pretty, classical, romantic… Un Lys is somewhat of a wallflower next to the quintessentially dark and cerebral Serge Lutens blooms like dramatic Tubéreuse Criminelle, voluptuous Fleurs d’Oranger, animalic jasmine of Sarrasins, or even dusky Bois de Violette. Yet, what Un Lys lacks in drama, it more than makes up by its bright, uplifting character. It is a fragrance I reach for when it has been raining too long or when I crave a waltz, for Un Lys is truly the olfactive equivalent of Strauss’s Blue Danube, given its radiance and romantic elegance!

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

One of the most gorgeous raw materials I have come across is magnolia absolute by Laboratoire Monique Rémy. It is a beautifully contrasted note: its herbal top reminiscent of lavender and spicy green leaves gives way to a surprisingly luscious core of jasmine and apricot. Magnolia absolute is such a striking, dramatic note that it works well as part of a rich oriental blend a la Guerlain L’Instant, as well as in light florals and even colognes like Eau d’Italie Magnolia Romana. While I still have not found a well-crafted magnolia soliflore, there are a few fragrances that use it to a memorable effect. One such example is Champaca Absolute from Tom Ford Private Blend collection.

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