Raunchy: 21 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

A woman who wears Paloma Picasso Mon Parfum is most certainly not a wallflower. Even the first impression of this fragrance banishes any thoughts to the contrary. The lemony brightness of hedione and the green richness of the floral accord do not hide the animalic warmth and honeyed patchouli foiling the heart of this distinctive composition. The Paloma Picasso woman is not a delicate waif nor is she an inaccessible ice queen. Mon Parfum is a smoldering beauty, with its masculine touches evoking the olfactory equivalent of a perfectly tailored tuxedo suit rather than a skintight dress. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Whenever I hear that there are no creative fragrances in the mainstream market, I want to point to Kingdom (2003), a fascinating fragrance created by perfumer Jacques Cavallier for the enfant terrible of fashion, Alexander McQueen. The blatant sensuality of Kingdom mirrored the controversial and innovative approach to fashion developed by McQueen. Developed as a classical woody oriental composition—its luxurious dark woods cradled in the velvety foil of smoky resins a la Chanel Bois des Îles, Caron Nuit de Noël and Guerlain Samsara, Kingdom hides a raw and aggressive streak. The effect of this juxtaposition is exactly what makes grand French classics compelling—that reminder of human traces, of decay, of things that we try to hide. It is subtle enough to tease the senses without becoming repulsive, and yet, its presence is obvious. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Provocatively named, Lanvin Mon Péché (My Sin for the American market) is a mystery novel full of unusual twists and complex subplots. From the chilly elegance of its top notes crowned with the crisp aldehydes to the languorous darkness of its floral heart and the animalic base, heavy like a sigh of yearning, it never ceases to maintain attention. Why a mystery and not a simple story of seduction? Like most classical fragrances, My Sin does not flaunt its sensuality, but treats it in a tantalizing and unpredictable manner, resulting in a composition that, like a good mystery novel, keeps one guessing until the last page.

Between 1923 and 1924, the Russian perfumer Mme Zed created a range of perfumes for Jeanne Lanvin’s fashion house, which were intended more as the scented souvenirs for travel obsessed Lanvin than the fragrances with the wide appeal. Thus, La Dogaresse captured the beauty of ochre colored Venetian palazzos reflecting in the murky waters of the canals. Geranium d’Espagne spoke of hot stone paved streets in Seville. Le Sillon reminded of the wake of a ship. A collaboration between Mme Zed and Firmenich in 1924 resulted in My Sin. It broke with the holiday postcard tradition of Lanvin perfumes, instead presenting a composition that told its irresistible story in a sexy whisper. Its success was to be rivaled only by Arpège. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

What would one expect a fragrance named Rose Poivrée, peppered rose, to smell like? One is about to wax poetic about dewy crimson roses and warmth of crushed spices. Unwashed body parts probably do not figure in that image, however remarkably this is exactly where The Different Company Rose Poivrée ends up. Animalic and vegetal, the composition belies its floral promise, and yet it captures a facet of rose that is not often associated with it—the waxy and pungent quality.

I have once been told a story by a young perfumer about composing a rose soliflore using very expensive rose absolute during his perfumery training in Grasse. His teacher, Jean-Claude Ellena, looked at the formula and asked him about the purpose of the ingredients. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Sometimes one becomes captivated with the beauty of a composition upon first inhaling it, and sometimes it takes more time. In the case of Serge Lutens Miel de Bois, repeated exposure does indeed uncover new facets; however, these discoveries do not result in my increased appreciation for it. Quite the opposite, I realize even more why it does not appeal to me. Part of the problem is that I envision a magical forest of trees dripping with honeyed nectar, yet instead I end up in an alley filled with malodorous miasmas.

Phenylacetic acid in extremely low concentrations has a luscious honey and animalic malt odor; however, in large dozes, it becomes distinctly urinous. Miel de Bois seems to explore the latter aspect of it, and the dry accord of woods touched with animalic leather provides a supporting arrangement which does nothing to dim the effect. …

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