Seductive: 35 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

While recently exploring dark, oriental roses, I realized that I have never reviewed the sultriest of them all, the original Agent Provocateur. It is an omission on my part because this fragrance not only posseses a fantastic aura—an explosive mélange of everything dark, seductive and hypnotic — but it also manages to strike a great balance between provocatively flamboyant and classically elegant. The usual route for sexy, deep cleavage perfumes is the oriental genre with its warm, opulent notes of vanilla, spices and balsams, but Agent Provocateur chooses the mysterious allure of chypre and its mossy woods to convey its passionate character.

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Égoïste is based on the classical orchestration of woody and oriental accords. It is said to be derived from a limited edition called Bois Noir, which was introduced by Chanel briefly in 1987. Although the fragrance is inspired by a classical theme, Polge rendered it in a novel manner. The bright herbal accord of thyme, rosemary, lavender and sage is set against sweet plums and candied apricots, which in turn are supported by a dramatic woody backdrop. A prominent vetiver note lends a certain bitter chocolate effect, which heightens the baroque richness of the composition. The contrast among these accords produces a multilayered effect, which lasts from the top to the drydown.

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A few years ago, I attended a dance performance that was a mixed bill of classical and modern. After the audience was treated to two long modern pieces, in which dancing was somehow secondary to scenery, it let out a collective sign of pleasure and relief,when the curtain rose to reveal a classical ballet set. This incident illustrates my feelings about the latest launch from Serge Lutens. Having been uninspired by Nuit de Cellophane, bored by L’Eau and mildly interested in Bas de Soie, I find Boxeuses a welcome return of Lutens’ seductive, romantic and smoldering Oriental muse.

A woody-leathery composition, Boxeuses (which means “boxer” in French) will strike a chord in an ardent Lutens lover, especially those of us who yearn for Lutensian darkness and its tendency to perplex. The dominant element of Boxeuses is leather, which is set against a dark woody accord. Before the full richness of the leather drydown unfolds, the prelude of ambery-leathery and unctuous castoreum as well as incense-smoky labdanum sets the stage. Moreover, the contrast with sweet and floral notes allows one to experience the beautiful richness of smoky leather, crafted along the lines of Russian leather, which combines the birch tar smokiness and the animalic aggressiveness of isobutyl quinoline (classical leather aroma-material.)

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

White jasmine, black jasmine. New love, old flame. That is how I think of Sarrasins, the newest fragrance from Serge Lutens’s exclusive range, and À La Nuit, the 2000 launch. Given the deep purple color of Sarrasins, one is led to expect a dark and sonorous rendition of jasmine. However, nothing could be further from the truth—Sarrasins is radiant, almost see-through, from its initial burst of citrus and wintergreen notes to the dry, leathery base. By contrast, À La Nuit has a remarkable heft, given its high calorie oriental base of vanillic balsams and resins. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Chanel No 18 is startling. Unctuous and green at first, reminiscent of olive oil and green tea leaves, it becomes warm and floral, separating into soft billowing layers of fruity rose and powdery musk. The striking simplicity of this composition belies its inherent loveliness. It is gentle without becoming meek, delicate without appearing pale and feminine without being clichéd. …

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