Lily of the Valley: 15 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

A whisper of Christian Dior Diorissimo on this cold day makes me imagine spring. I glance at the dark rooftops covered with white patches of snow, black outlines of icicle draped trees against the grey sky and even though the landscape is morose and silent, I can almost feel the warm breath of spring. The frozen winter vista is almost scent-free, which I find renders rich, oriental fragrances somewhat overwhelming. Instead, I tend to reach for citrus, iris, orange blossom and other delicate white floral fragrances. Like Venice covered in snow, the impossibly transparent and airy Diorissimo (Christian Dior) is a perfume whose beauty is only enhanced by the cold. Then again, just like Venice, it is beautiful regardless of time and season….

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Gucci Envy proves the Easter fantasies in pastels that many spring flowers can inspire are not the only route for a modern floral. This composition released in 1997 has the quality that marks the most interesting of the large house releases—it does not try to be cerebral and unapproachable, yet it maintains the suspense. If Diorissimo creates an impression of capturing the smell of forest glens on a misty May morning, Envy is a gust of wind that brings spring into the city. …

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Spring came into my house with the bouquet of tulips, their crimson petals touched with the delicate scent of wet foliage and rain drenched earth. As I sat on the floor, caressing the satiny buds, the memories of past springs rushed forth, scattering like pearls from a broken necklace. Some were sweet, others were less so, and yet all of them were tinged with something ineffable that makes heart skip a beat.

The smell of acacia blossoms after the rain… wearing short sleeves for the first time in months… tasting first strawberries… the chestnut trees coming into bloom overnight, as if someone had orchestrated this breathtaking transformation by magic—these are the details that conjure the exuberance of spring for me.

For the past few years I have been living in places where spring is a mildly unpleasant transition between the dreary winter and the scorchingly hot summer. It has been a consolation that some fragrances have never failed to afford me a glimpse of the idyllic spring—blue skies with a few wispy clouds, tree branches dotted with sticky buds, rain drops on apple blossoms, and elation caused by the seemingly trivial things. Seasonality when it comes to perfume is an issue of few rules and many subjective viewpoints, but smelling the acacia trees jeweled with the delicate clusters of white blossoms makes me wish for a fragrance that captures the intoxicating scent marrying orange blossom, jasmine and a hint of coconut. If one cannot have an ideal spring, then one can search for that spring via perfume. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Parfums DelRae Début is a composition of wistful elegance, introspective and gentle. Like other fragrances in DelRae range, it is scent to wear during moments of reverie—when one allows oneself to be taken up by the stream of memories and dreams. It encompasses a wide range of sensations, from the vivacious verdancy of crushed leaves to the quiet warmth of musk. Created by Michel Roudnitska in 2004, Début is at once a springtime bouquet and an autumnal breeze.

Violet leaf with its exuberant green character conjures a vision of crushing young green leaves between fingers, their scent bursting in the air. Citrusy notes lend an additional effervescent layer, which contrasts beautifully with an indolic note that at first is only barely noticeable. Sparkling accent persists into a heart of the composition, where it softens and slowly fades. Scents of dewy flower buds, earth and cool morning mist unfold in a panoramic view. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Hermès Eau des Merveilles, created by Ralf Schwieger (the nose behind Frédéric Malle Lipstick Rose) and Nathalie Feisthauer for Hermès in 2004, is a fragrance that catches by surprise. From the first accord, it vacillates between reflecting either the translucent amber and delicately sweet tobacco or sweet glow of citrus. Intertwined with the scintillating central accord is lily of the valley. The floral aspect is rather subtle, resembling a crushed flower stem caught in the driftwood on the beach, however it lends an interesting facet.

An inky note appears in the heart of the composition, and although slightly sharp at first, it develops into salty undercurrent, touched by dry peppery warmth.  The base notes glow through the translucent layers, creating a scent of sand and sun warmed skin, which remains rather subtle. The winey veil of ambergris is touched by a lush whisper of hyacinth, which is elusive, yet during certain moments, its sweetness appears suddenly, caressing and seductive, only to fold back into the base accords.

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