Violet: 39 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

My initial reaction to Annick Goutal Mandragore was puzzlement over a strange disconnect between the name evoking dark, twisted roots and love potions and the ethereal fragrance more appropriate for elves than witches. Created by Isabelle Doyen in 2005, this composition is beautiful vignette of lightness, showcasing the ability of spices to be woven into a sheer and weightless composition. Mandragore has the same luminous, slightly nostalgic quality that pervades the paintings by Isaac Levitan, a Russian 19th century impressionist. If I close my eyes, I imagine walking through the lush forest groves he portrayed in his tender, wistful manner. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The fifth Armani Privé fragrance, Cuir Améthyste, does not engage in any subtle interplays. In fact, subtle is probably the least appropriate adjective to use in describing this fragrance. From the dense tangle of powdery violet notes to the opaque vanillic-ambery base, Cuir Améthyste moves with a heavy step.

It might be surprising to discover that Cuir Améthyste is composed by Michel Almairac, the same perfumer who created the serene minimalism of Bois d’Encens and its more ornamental sibling, Gucci Pour Homme (2003). …

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Meeting Balmain Jolie Madame for the first time is an encounter that leaves one intrigued by the unpredictable personality of this beautiful stranger. The dazzling shimmer of the green floral notes has a lighthearted character, however as soon as one is ready to see a smile of its dewy heart, the veil of leathery smokiness falls darkening the gentle features.

Yet, predictability is not the quality that Germaine Cellier’s creations possess. One of the most avant-garde perfumers, she worked against the classical tradition by exploring the raw materials that most perfumers of her time would reject for their crude potency and strength. She was not afraid to overdose Balmain Vent Vert with galbanum, which made the fragrance seem as if it were exploding on the skin into the cascade of emerald dust. The original version of her Bandit possessed so much animalic robustness, it seemed almost shocking to wear in public. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Hazy and gentle, Annick Goutal Duel seems inappropriately named, as more than anything it calls to mind opponents who would rather exchange polite remarks than gunshots. It has a certain subtlety that delicately hints at its more forceful aspects, wrapping them in sweetness of violet. On the one hand, it may register as too subtle, yet, on another, it has the same charm as the pastels. Thus, whenever Annick Goutal fragrances are compared to the watercolors, I always think of Duel as a good example of such an analogy.

Created by Isabelle Doyen in collaboration with Camille Goutal, Annick Goutal’s daughter, Duel is a fragrance with a romantic air. Its violet tinged coolness of iris paired with crisp greenness of maté conjures a vision of the Belle Époque salon set with preparations for tea.  …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The breeze entering the windows suddenly brings a scent of something bittersweet and sharp. A wave of melancholy overcomes me as I noticed the yellowing leaves and the chill that forebodes the change of seasons. I want to hold onto the time as it passes, and the best way to do so is to envelop oneself in a fragrance that speaks of another era.

Created in 1947 by Francis Fabron, the perfumer responsible for such fragrances as the original 1957 version of Givenchy L’Interdit, Monsieur de Givenchy, and Nina Ricci L’Air du Temps, Balenciaga Le Dix is like a beautiful vintage dress that has lost none of its splendor, despite the passage of time. In fact, time only adds to its beauty.

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