4 stars: 439 posts

Women’s magazines often have features titled “What’s Your Type?” You’re supposed to figure out in under 60 seconds how to fit your personality into various boxes : romantic, edgy, rock-n-roll, etc. Heaven forbid that someone who likes rose printed dresses would want to listen to Massive Attack, or that a bookish, academic type might have a passion for red lipstick and frilly lingerie. In the ideal glossy world, someone who likes Chanel No. 5 would steer clear of Aquolina Pink Sugar and would never let the twain meet upon the vanity table.

My idea of fun is to mix things up, and for this I need Pink Sugar. The gourmand fragrance style isn’t meant to be serious; it’s all about delighting the senses and teasing us with a suggestion of something mouthwatering. I’m not eating a piece of chocolate cake to get my daily intake of calcium. I’m eating it because I love chocolate. It’s the same with gourmand perfumes. I wear them when I want to smell like a piece of candy. Sometimes that’s exactly what you need to make a cold, rainy city feel warmer or to make a stressful day less so.

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Not just another simple cologne. Elisa on Parfums de Nicolaï’s L’eau Mixte.

If there’s one perfume category I’ve heard people call “boring” the most, it’s citrus. Perhaps it’s because there is less variation among citrus scents than, say, orientals or florals—a rose perfume, a tuberose perfume, and an iris perfume smell nothing alike, but lemon, orange, and grapefruit have a fair amount of olfactory overlap. Or maybe it’s because citrus scents don’t—can’t—evolve much on skin because they don’t last long enough to evolve; they are fleeting, volatile molecules by nature, destined to be top notes.

I must admit I have some of the same reservations about citrus-centric perfumes. I’ve got a few in my collection, and on a hot day, a few spritzes of a crisp citrus chypre like Clarins Eau Dynamisante or Monsieur Balmain hits the spot. But I don’t reach for them often, and I almost always end up putting something else on later. So to make me sit up and take notice, a citrus scent has to be pretty unusual.

L’eau Mixte, Parfums de Nicolaï’s eau de cologne release for summer 2010, was the first citrus to take me by surprise in years. Primarily a grapefruit perfume, it manages to be both refreshing and rich, hitting so many pleasurable notes at once—sweet, tangy, green, herbal—that it feels like getting out of a car to breathe in a big lungful of cool mountain air. Most citrus scents have a bracing quality, but L’eau Mixte is exceptionally bracing.

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As a kid I used to love puzzles and I spent many evening looking for the right jigsaw piece to complete the picture. Occasionally I feel that with perfumes I’m still playing a jigsaw puzzle game as the same fragrance reveals something new whenever I smell it again. This was the case with Cacharel Loulou. When I first smelled it as an 11 year old on my mother, I remember thinking, “the cherry compote.” It was the only part of Loulou I could recognize, because at that point I hadn’t smelled any gardenias or ylang ylang or incense. They didn’t figure in my Eastern European childhood.

Revisiting Loulou some years later after I had already worn gardenias tucked in my hair as someone tried to kiss my neck and having smelled pungent Indian incense, other pieces of the puzzle fell in place. I discovered with surprise and pleasure that it was not a juicy cherry, but a candied white blossom dipped in vanilla liqueur. I loved it just the same, except that it no longer seemed innocent to me. Loulou was quite a vixen, and though I wasn’t one at all, I liked to dab the parfum on my neck and play the part.

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Olfactive Studio Flashback, a salty vetiver and rhubarb blend, is one of those rare fragrances that not only smell good but feel poignant. Olfactive Studio’s concept marries fragrances with visuals, and in the image that accompanies Flashback, a frame from a video shot by Laurent Segretier of his long-distance girlfriend, you see very few details–the delicate tilt of a girl’s head and a thick fringe framing the face. This photograph was the brief to perfumer Olivier Cresp, who tapped into his childhood memories to create Flashback. For my part, when I smell Flashback, I’m reminded of collecting shells along the beach and helping my grandmother make rhubarb jelly.

While childhood memories are often saccharine, there is nothing cloying or precious about Flashback. When I was collecting notes for my article about salty perfumes, it quickly turned out to be one of the best recent examples of salty vetivers. It’s also polished and elegant, suited for both men and women.

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Andy discovers a gem in Geoffrey Beene’s Grey Flannel.

I thought I had seen all the facets of violet: powdery, sweet, innocent—but a violet “pour homme”? While the masculine violet theme of Geoffrey Beene’s Grey Flannel sounded rather sophisticated, I couldn’t help noticing that the fittingly monochromatic boxes of this perfume sat untouched at my local discount shop for months on end. Was Grey Flannel a hidden gem? Or was it better left forgotten? Deliberating by the clearance shelf last winter, I finally decided to take the plunge, and soon realized I had been missing out on a classic that I now consider my ultimate violet perfume.

Grey Flannel, released in 1975, owes its name to the soft fabric that designer Geoffrey Beene was inspired to use for couture dresses and menswear alike. Like some of Beene’s inimitable fashion designs, Grey Flannel seems to be neither derivative nor have any copycats. Men’s fragrances have long featured floral accords, but few do so as interestingly as Grey Flannel, which entwines violet and moss covered woods in a unique embrace. It subsequently inspired Dior Fahrenheit, itself a major trendsetter, and it still remains a distinctive, memorable fragrance.

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