5 stars: 115 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

It is my firm belief that all great fragrances are polarizing, eliciting a strong response. Whether you love Clinique Aromatics Elixir or find it detestable, it cannot leave you indifferent. Among the legends of American perfumery, it is a fragrance that deserves a chapter of its own. It is bold and confident, with an unusual combination of sultry darkness and austere elegance that marks the best of American chypres such as Estée Lauder Azurée, Private Collection and Knowing. Some fragrances should be smelled simply to know that they exist, and Aromatics Elixir is one of them.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Whenever I hear a reference to elegance in perfumery, I invariably think of Christian Dior Eau Sauvage, because few existing fragrances are as exquisitely refined as this composition by the great perfumer Edmond Roudnitska. Of course, elegance can be achieved in a number of different ways, but the effortless, streamlined sophistication of Eau Sauvage has an immediate appeal. In many ways, the beauty and the genius of this fragrance lie in its perfect balance: a balance between different elements of the composition, between simplicity and complexity, between artistic merit and pure pleasure. Eau Sauvage is one of those rare perfumes that have plenty to say, but that are easy to understand.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

“Prosperity, pleasure and success, may be rough of grain and common in fibre, but sorrow is the most sensitive of all created things,” wrote Oscar Wilde in his moving essay “De Profundis,” which inspired Serge Lutens’s wistful and delicate creation. De Profundis, which also refers to Psalm 130, means “from the depth” in Latin, and it is from the depths of sadness and despair that Wilde wrote his epistle during his imprisonment. Knowing the background story can easily color one’s perception of a perfume, and this is especially true in the case of Lutens  who is fond of complex and eclectic imagery. So, having learned of the origins of De Profundis, one might expect a somber composition of funereal darkness. Nothing could be further from the truth—De Profundis is a soaring, ethereal vignette of green flowers, full of surprises and such magic twists that I once again have to take off my hat to Lutens and his perfumer Christopher Sheldrake.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The old Mughal palaces have a very peculiar scent of wet wood, old books and dried roses. Drawn to the decaying glamor of the past, I have spent a fair bit of time exploring them, and the scent is what I tend to remember the most. Over time I have realized that the closest olfactive equivalent of my own Indian fantasies, both real and conjured by my imagination, is Guerlain Samsara. Guerlain has a long tradition of paying tribute to India at its most romantic, but Samsara goes even further by serving as a gold standard for sandalwood fragrances, the most quintessential Indian perfume. What follows is not just a review, but also a guide to vintage perfume hunters curious to smell Samsara in its former reincarnation.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Some fragrances need to be well-tested over time to become classics. Guerlain Nahéma was an utter failure when first launched in 1979, but today its ripe, voluptuous accord of ylang-ylang, rose and sandalwood is considered archetypal. Serge Lutens Ambre Sultan, on the other hand, has achieved the status of an amber gold standard in a mere decade. Created as an interpretation of a classical sweet amber theme, today it is among the most imitated and recognizable amber fragrances. The genius of Serge Lutens and perfumer Christopher Sheldrake lied in layering a sweet, unctuous amber accord with the camphorous brightness of herbs. The result is a fascinating sweet-savory interplay that evokes as much caramel ganache as tomates à la provençale (tomatoes grilled with parsley and oregano.)

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