amber scents: 40 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The ingenuity of Bronze Goddess, a limited edition Estée Lauder fragrance, lies not only in its ability to convey summer indolence with its scent of coconut, gardenia and warm sand, but in making this fantasy wearable and sophisticated. It is elegant and refined, with an interesting twist of dry ambers that give Bronze Goddess its crisp and polished character. While it may lure one with the promise of a beach themed indolence, in reality, it is a versatile fragrance that can easily travel from beach to office, from summer to fall.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

While the average US perfume buyer is put off by the idea of an animalic note in fragrance, for many fragrance aficionados (your author included), the mention of leather, civet or horse sweat is a selling point. Whenever I read about Miller Harris L’Air de Rien, a fragrance created in 2006 for the actress Jane Birkin, it would invariably be described in terms of dirty underwear and cats’ rear ends. Perhaps I draw a line somewhere after all, because it took me years to finally try L’Air de Rien. So now I can report that the musky amber of L’Air de Rien is reminiscent more of a moss festooned garden shed, rather than an outhouse. In fact, its slightly rough charm perfectly fits my image of Jane Birkin.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

I love the playfulness of Vanille Insensée, which cannot decide whether it wants to be a vanilla or an amber, and while oscillating between luscious sweetness and dark richness, it manages to beguile with its complex, nuanced character. The contrasted nature of this fragrance created by perfumer Ralf Schwieger for Atelier Cologne not only makes it exciting to wear, but also gives it a beautiful signature.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

La Collection: A Few General Observations

The Christian Dior line is not new to the idea of exclusive collections within the main range. Dior La Collection started in 2004 with three colognes: Eau Noire, Cologne Blanche and Bois d’Argent, and all three were excellent. Two years ago, Dior added Ambre Nuit to the collection, and in 2010, it grew to include 10 fragrances with the launch of Mitzah, Vétiver, Granville, Leather Oud, New Look 1947, Cologne Royale and Milly-la-Forêt (Cologne Blanche has been discontinued.) The newest fragrances for La Collection were developed by perfumer François Demachy. So far, my impressions are mixed, but despite my initial skepticism, I find that these fragrances are worth exploring.

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The Arabian Tales still retain perfumery under their spell… L’Artisan Traversée du Bosphore took us on a journey to Ottoman era Istanbul. By Kilian Rose Oud suggested the heavily embroidered silks and glittering gold bangles of an Indian wedding. Frederic Malle Portrait of a Lady transformed English roses into a Moorish garden. Even ordinarily minimalist Diptyque presented Eau Duelle as a silver foil decorated sweetmeat. Now, we can add three new chapters to the 1001 Nights with a trio from Armani Privé La Collection des Mille et une Nuits: Ambre d’Orient, Oud Royal and Rose d’Arabie.

Ambre d’Orient was created by Firmenich perfumer Fabrice Pellegrin, who is also responsible for the aforementioned Eau Duelle, Thierry Mugler Womanity as well as two terrific (though now discontinued) L’Occitane fragrances, Amber and Cinnamon Orange.

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