hermes: 48 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Fougère and chypre are the fragrance families that share some similarities in their classical interpretations, the main of which is the reliance on the fresh top notes and the somber richness of patchouli and oakmoss in the base, which result in a surprising juxtaposition of sensations. While both possess quintessentially masculine notes, the fougères tend to be more common in men’s fragrances. Indeed, masculine perfumery includes plenty run of the mill fougères (usually copies of highly successful Cool Water by Davidoff), which are so ubiquitous that one can hardly be excited by them. Yet, the best of this category present such a fascinating olfactory journey that they must be tried just for that experience. Such is Equipage, created by Guy Robert and Jean-Louis Sieuzac in 1970 for Hermès. The list of fragrances attributed to these perfumers reads like a compilation of perfume legends: Robert created Hermès Calèche, Christian Dior Dioressence, Madame Rochas; and Christian Dior Dune, Fahrenheit, Yves Saint Laurent Opium were composed by Sieuzac. Not surprisingly, Equipage is another treasure.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Named after the address of the Hermès flagship store in Paris, 24, Faubourg immediately conjures an image of luxury, supple leather and expensive scarves. Although the excess of good taste can be just as unfortunate as its dearth, 24, Faubourg avoids the clichés, toning down the decadent richness of florals with the dryness of patchouli. The sensual ambery radiance that pervades many of Maurice Roucel’s fragrances is evident in 24, Faubourg. Created just a year after the jewel-toned Tocade (1994) and two years before the chilly Gucci Envy (1997), 24, Faubourg is a beautiful compromise between the red lipsticked glamour of the former and the aloof stance of the latter. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Terre d’Hermès proves that the best non-niche releases over the past year are taking places in the masculine perfumery. Dior Homme, an iris wrapped into warm, sweet leather, Lanvin Arpege Pour Homme, a velvety violet-iris fougere are among some of the recent examples. Likewise, the new fragrance by Jean-Claude Ellena, Terre d’Hermès, has a number of qualities that make it exceptional—chiseled refinement of its elegant structure, unconventional, transparent take on the woody notes and remarkable quality of its ingredients. The composition conjures the intensity of sunlight reflected against the white stones of Roman ruins.

Jean-Claude Ellena’s theme of multifaceted transparency explored in his other creations, from Cartier Déclaration to Hermès Un Jardin sur le Nil, will be immediately recognizable in Terre d’Hermès. Nevertheless, it seems as if the theme has received further polish, luminosity and elegance. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Inspired by a visit to the gardens of Beijing’s Forbidden City, Hermès Osmanthe Yunnan, Jean-Claude Ellena’s creation for Hermessence range explores the marriage of tea and flower. Yunnan tea and osmanthus is a combination of natural harmony due to the fact that the flowery rich tea tonality underscores the fruity delicacy of osmanthus. Its scent, elusive and haunting, ranges from tea-soaked dried apricots to jasmine soap crushed in a leather bag.

The hesperidic notes sparkle like sugar crystals falling into a tea cup, their astringent quality appearing as somewhat sharp on the skin. The tart orange becomes more pronounced, contrasting with the gentle richness of tea. As could be expected, the composition is quintessentially Ellena—delicate transparency paired with complexity of the final result, which is a panoramic display of the idea. The composition appears rather smooth, with none of the notes dominating, but instead melding elegantly into a transparent, yet velvety fruity-floral scent. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Sweet, warm and delicately animalic aroma of amber is not the only reason why this note is such a popular presence in the modern perfumery. It has an ability to round out other notes, smoothing the progression from one accord to another and fixing more delicate aspects of the composition in place. Its sensuality has a soft quality, which means that amber laden fragrances have a seductive subtlety.

The most beautiful aspects of amber shine in Hermès Ambre Narguilé, which was created in 2004 by Jean-Claude Ellena as a part of Hermèssence range. Like his other amber focused L’Artisan L’Eau d’Ambre, Ambre Narguilé does not merely hint at the idea of amber, but develops it fully. Yet, while being a rich voluptuous note, amber in Ambre Narguilé does not obscure other notes layered over it. It provides a beautiful backdrop against which the radiant and smoky facets of the composition unfold. It is strong, yet delicate, like carved marble screens of Mogul palaces.  …

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