perfume books: 38 posts

Perfume Legends : French Feminine Fragrances by Michael Edwards

Perfume_legends

“Michael Edwards’s book represents a truly praiseworthy effort to help people better appreciate the great perfumes of this century,” says Edmond Roudnitska in his introduction to Perfume Legends: French Feminine Fragrances. Indeed, a perfume lover’s library is incomplete without this wonderful anthology, which combines beautiful illustrations with the comprehensive information on some of the greatest French fragrances. Edwards’s focus on perfume as an art form traced over the 20th century is an appealing vantage point, given the fact that he recognizes the synergy between the fragrance and the time in which it was created. He also notes the scientific discoveries that shaped the development of perfumery, such as the discovery of cinnamic aldehyde as the chemical responsible for the scent of cinnamon in 1833 by Dumas and Péligot, or the isolation of coumarin from tonka beans by Perkin in 1868. Moreover, the process of creation and forming of ideas that gave rise to some of the most famous fragrances is elaborated in great depth in Perfume Legends.

The book focuses on 45 fragrances, from Guerlain Jicky (1889) to Thierry Mugler Angel (1992), providing information on the creators, from the perfumers and the couturiers to the bottle designers and the executives of the perfume houses. …

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Nine Perfume Novels: Books for the Chemical Senses by Philip Kraft

Perfume_suskind“Sweetly, albeit with a touch of throatiness, the redhead began to recite words which were baffling but seductive, judging by the women’s faces in the orchestra, ‘Guerlain, Chanel No. 5, Mitsouko, Narcisse Noir, evening gowns, cocktail dresses…'”

This passage from Mikhail Bulgakov’s The Master and Margarita caught my attention from the first time I read the novel, given my tendency to search out works of fiction where the topic of scent is given prominence. For someone who reread Fyodor Sologub’s Petty Demon (Melkii Bes) for the perfume parts, a discovery of an article on scent novels in Angewandte Chemie, a chemistry journal, comes as a pleasant surprise. If you or your institution have a subscription, the article can be accessed from interscience.wiley.com. Otherwise, please read on for reviews.

The article written by Philip Kraft, provides excellent reviews of nine novels, supplementing them with witty remarks. The reviews comprise books written in English, French and German. While Patrick Süskind’s Perfume: The Story of a Murderer, the ironic and haunting story of the olfactory genius-monster, is a novel familiar to many (and is about to become even more so with the upcoming film release in the fall of 2006), it was very interesting to discover several other works of fiction focusing on the subject of scent…

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Delving into Archives

Fluidex_1

There are times when perfume acts as a magic carpet for a travel in time, and then there are moments when research leads one into the dank archives of the past. Thanks to the passionate and generous work presented on Scented Pages, a website everybody with at least a passing interest in perfume needs to visit, I had a chance to discover a rich bibliography on all aspects of fragrance. From science and history to specific perfume houses, the website presents an impressive range of literature.

The exploration of the bibliography led to the discovery of several fascinating New York Times newspaper materials, which are available from the New York Times archives. Thus, an article from 1871 surmises that New Jersey might become the next Grasse. Another article from 1929 discusses the new perfume releases that would be appropriate as Christmas gifts. The article I pounced on immediately is titled The Twenty “Noses” of France, written by Donald William Dresden, 1947, because it is usually rare to see the perfumers in the spotlight.

I’ll note, however, that the article is irksome, even if I keep in mind the social context of the times. Here is one such illustration. “Only a few people have the supersense of smell necessary to become a Nose—for reasons known only to Noses themselves, no woman has ever had it—and still fewer the patience and emotional attitude to undergo the required training…” Clearly, Dresden forgot about Germaine Cellier of unforgettable Bandit (1944) and Vent Vert (1947). Moreover, research demonstrates that a woman’s sense of smell is more acute than a man’s, with its acuity positively influenced by the levels of estrogen, the levels of which change throughout the menstrual cycle, with the highest levels recorded in the first half (Nature Neuroscience, March 2002).

The rest of the article is such a riot that I almost forgave its chauvinism. I cannot help sharing some particularly memorable bits. You’d be interested to know that the Nose has certain characteristics, which the writer describes in the social Darwinist terms. “As befits his station, the typical Nose is an imposing looking man. Generally he is middle-aged with fine graying temples or just the right amount of baldness to indicate that he had made his way in life.” If one may wonder, Dresden assures that “the nasal formation is not unusual.” However, “he has lofty brow and features of the intellectual and an air of dedication verging on absent-mindedness.”

And how about this imagery? “Here in Grasse it is commonplace to see a parfumeur créateur pacing slowly under the plane trees in the courtyard of an old, rambling perfume factory, sniffing meditatively at one or more of these strips of paper. A deep concentration wrinkles his brow and his demeanor reminds one of a Wall Street banker studying the pros and cons of a big loan or of a diplomat weighing a delicate démarche.”

A reader may ask an obvious question, why are there only twenty Noses in France? The author explains that the amount of dedication and the inborn talent required weed out quite a few people. “For that reason they are only twenty Noses in France, and this world-famous perfume center is their natural habitat.” None of the names are mentioned, nor are their perfumes revealed, thus, we are left to guess as to the identity of any of these Noses, and appropriately so, given the air of mystery Dresden attempts to create.

The Twenty “Noses” of France by Donald William Dresden. New York Times, December 28, 1947, pg. SM10.

Picture: French vintage advertising poster for a shaving cream from 1922. It does not relate in any way to the topic of my article, however a flying clown with a sickle appeals to my idiosyncratic (and at times sophomoric) sense of humour.

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