Siena, Coral, Gold : The Art of Storytelling
The Virgin Mary has just given birth. She’s reclining under a sumptuous red cover decorated with gold embroidery, while baby Jesus is given a bath. That Cennino Cennini, a fourteenth century Sienese artist, chose such an intimate rendition of the nativity is unexpected, but equally intriguing is the setting. Instead of a fantasy land or a barn from the biblical story, the event is taking place in a palace that any contemporary viewer in Siena would have found familiar. Cennini wanted to emphasize that God was not in some distant, faraway land. He was right here, in this city.
During my days as an art student, I was repeatedly told by my teachers to listen to the colors. It was the same advice I received years later as a perfumery trainee. In order to compose an accord that would be more than just a pleasant odor, you have to listen to scents. Each note has its feel, shape and character. Like fragrances, colors are powerful, and they can convey emotion as readily as gestures and lines.
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