Maurice Roucel: 15 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Gucci Envy proves the Easter fantasies in pastels that many spring flowers can inspire are not the only route for a modern floral. This composition released in 1997 has the quality that marks the most interesting of the large house releases—it does not try to be cerebral and unapproachable, yet it maintains the suspense. If Diorissimo creates an impression of capturing the smell of forest glens on a misty May morning, Envy is a gust of wind that brings spring into the city. …

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Named after the address of the Hermès flagship store in Paris, 24, Faubourg immediately conjures an image of luxury, supple leather and expensive scarves. Although the excess of good taste can be just as unfortunate as its dearth, 24, Faubourg avoids the clichés, toning down the decadent richness of florals with the dryness of patchouli. The sensual ambery radiance that pervades many of Maurice Roucel’s fragrances is evident in 24, Faubourg. Created just a year after the jewel-toned Tocade (1994) and two years before the chilly Gucci Envy (1997), 24, Faubourg is a beautiful compromise between the red lipsticked glamour of the former and the aloof stance of the latter. …

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Red Delicious for Women, the newest limited edition fragrance from Donna Karan, is a counterpart to Be Delicious (2004), a composition that forges an apple out of violet leaves. The perfumer Maurice Roucel’s choice of accords for Be Delicious is very interesting, since despite the availability of aroma materials that offer a remarkably photorealistic representation of an apple, he selected a green floral, with a rich cucumber undertone. The dewy juiciness of green leaves lends itself to the construction of a green apple that leaves the wearer wondering whether it is a fruit, a flower or a leaf. Despite my minimal interest in the fruity-floral genre, I found myself revisiting Be Delicious on a number of occasions after having been intrigued by its clever composition.

Red Delicious preserves the green crispness of Roucel’s original creation; however, the composition evolves as a more conventional fruity-floral, with the sweet berry notes taming the green cucumbery abstraction into a vision of a ripe red apple. …

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Limited edition fragrances, especially when they present a variation on the existing composition, lead one to regard them with suspicion. Whatever the changes made, one cannot expect the effect to be dramatic. Yet, while L’Instant Eau de Noël Iris Millésime released for the winter of 2005 is not an altogether different fragrance from L’Instant de Guerlain (2003), the addition of woody iris and dewy floral notes results in an interesting twist on the original.

The original L’Instant was created by Maurice Roucel, the nose behind fragrances like Frédéric Malle Musc Ravageur, Serge Lutens Iris Silver Mist, Helmut Lang Eau de Cologne and Parfum, and Gucci Envy. L’Instant is both of Guerlain tradition and of modern trends. …

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Walking through the Metropolitan Museum of Art in New York, I realize that in much the same way as great artworks inspire the new generation of artists, the influence of Jacques Guerlain’s Shalimar (1925) is felt in Frédéric Malle Musc Ravageur (2000). Neither like Dalì simply imitated Picasso, nor is Musc Ravageur a copy of Shalimar. It is a fragrance with its own creative merit that incorporates elements from Jacques Guerlain’s composition in order to convey another vision. While Shalimar makes one wait in order to see what makes it a perfection—which one has to admit it is, whether one likes it or not, Musc Ravageur starts to unfold at once. Its animalic elements are seamlessly blended into dark vanillic warmth, interspersed with cool notes of bergamot and lavender. The heightened interplay of powerful sensations, from hot glow of amber to icy sting of citrus, is what makes Musc Ravageur a memorable composition from the first inhale.

While I do not like many scented body products, Frédéric Malle has impressed me with the quality of its ancillary lines. Musc Ravageur Oil is a great alternative to the Eau de Parfum, especially for those who find the initial balsamic burst too dark. It absorbs rapidly into the skin and, with some sacrifice of development, melds into a softer version of the EDP. The soft balsamic warmth of this sensual fragrance would also work wonderfully on a man.

Paintings (from left to right, click to enlarge): Salvador Dalì, Venus and a Sailor (1), 1925. Ikeda Museum of Twentieth Century Art, Shizuoka, Japan. Pablo Picasso, Mother and Child, 1921-22. The Alex L. Hillman Family Foundation, New York, NY, USA. (from dali-gallery.com and abcgallery.com, respectively.)