Culture: 426 posts

“I have always imagined that Paradise will be a kind of library,” wrote Argentinian poet Jorge Luis Borges. Ever since I moved out of my parents’ house, I decided that I will make my own version of an earthly paradise by investing efforts into my library. For years I have lived in apartments where the only pieces of furniture were the overspilling bookshelves. These days we have added a table and a bed to our Spartan living arrangements. An interior designer friend once drew up a plan that would maximize the use of space in our apartment. Her sketch was full of light, cream colored cushions and purple window dressings. She suggested that I move half of my books to storage. Her sketch is languishing behind one of the bookshelves. The books are still with me.

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Kerala, the southernmost state in India, has many names. The locals call their land “God’s Own Country.” After crowded, dusty Mumbai, Kerala indeed seems like a paradise to me, a land of lacy, cantilevered Chinese fishing nets, misty lagoons and lakes, verdant rice paddies, tea and cardamom plantations, white temples and churches. Even Malayalam, the most widespread language in the region, sounds unusual to me—mellifluous and nasal, fast-paced and caressing. While I can grasp the rudiments of Hindi and Marathi, Malayalam is completely new to my ears. To be confronted with something so exotic and unusual after what I thought was a good introduction to India over the course of my numerous trips underscores the richness of discoveries this country holds. As my stay in Kerala unfolds, I find that not only are its sounds completely new to me, but also its scents, tastes, and sights. Just like everywhere in India, it is a kaleidoscope of sensory impressions.

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One of the best interviews I have read recently was posted on French blog Simon~says! (link no longer active.) François Simon, a food writer, talks with Catherine Deneuve in his article, Rencontre Avec Catherine Deneuve, about a dizzying range of perfume topics—her first perfume, her role as a fragrance muse, her favorite perfumes on men, the strange scents that she enjoys, etc. The original interview is in French, which I highly recommend reading. For those who do not speak French, I will post a few interesting excerpts. To round out the topic, I will also include mentions of Deneuve’s other scented references from her previous interviews. The legendary movie star is an avid perfume lover, and she even wrote a preface to Frédéric Malle’s new book, On Perfume Making.

Frédéric Malle Noir Epices

Deneuve mentions that she selected Noir Epices by Michel Roudnitska for the role of Princess Marie Bonaparte in the mini-series Princesse Marie (2004.) Noir Epices was a perfect way to slip into the character of a strong, bold, audacious woman.

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Jean-Claude Ellena, the exclusive perfumer for Hermès and author of “Perfume: The Alchemy of Scent,” admires [Thierry Mugler] Angel for its structure. “It has a strong shape,” he said. “People can recognize you in the street as somebody who wears Angel.” But he refuses to use sugary notes in his own perfumes. “When you use the sugary gourmand product, I know by experience that you please easily,” Mr. Ellena said. “And when you please easily, people are pleased for the moment, but after they forget. I prefer a perfume that is more difficult to understand.”

From New York Times’s article A Little Confection Behind the Ear. Thanks to Tom for a link!

Every culture has a saying the gist of which is that the little joys make for the greatest happiness. Yet, as one’s routine threatens to overwhelm, even simple pleasures become something that one needs to carefully plan—a visit to the museum, an afternoon of doing nothing, a candlelit dinner. Nevertheless, there are certain things that are essential in the course of my day. They are my sources of inspiration and much more. They allow me to be aware of beauty at its most essential, and whenever the pressures of work or life threaten to push me over the edge, I only need to turn to my talismans to get things back on track.

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