Culture: 426 posts

A path leading up to the Brooklyn Botanic Garden’s Cherry Esplanade opens up on a fairy tale view of graceful alleys. With its soft greens and pinks, the wide expanse looks as if it could have been painted either by Monet or by a 19th century Japanese artist.  Under the cherry tree canopy, which is so thick with blossoms that you catch only glimpses of the sky, the light is caressing and delicate. Suddenly I feel that I need a floaty chiffon dress and a wreath of wild flowers in my hair to properly fit into this sylvan setting. Plenty of girls around me are doing just that and strike nymph-like poses to be captured on film. When the gusts of wind grow stronger, you have a sensation of being inside a snow globe, except instead of snowflakes, you feel the brush of pink petals against your cheeks.

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Reading The Perfume Lover by Denyse Beaulieu, the author of Grain de Musc, I felt as if I were following her on two big journeys. One was a personal journey into a lifelong fascination with perfume, and another into capturing the memories of a specific experience in perfume form. On the surface, it sounds easy—just tell a talented perfumer your story and let your scented memories unfold. However, I suspected that it may not have been all that straightforward. The language of perfume is subjective and elusive. What seems like a clear idea in your mind can be hard to grasp for other people. The most interesting part of The Perfume Lover is that despite these difficulties Denyse and perfumer Bertrand Duchaufour were able to pull together a beautiful and memorable fragrance. So, I asked Denyse to share with us how her book The Perfume Lover and her perfume Séville à l’aube, which will be launched by L’Artisan Parfumeur in July, came together.

by Denyse Beaulieu

“The pleasurable byproduct of wow.”  That’s how the legendary music critic Greil Marcus defines his writing. And since I started out as a jailbait rock critic during the punk era, whatever Greil Marcus says is all right with me. In fact, “the pleasurable byproduct of wow” strikes me as the best definition for both The Perfume Lover and Séville à l’aube. Bertrand Duchaufour’s wow came when I told him the story that inspired him to compose the fragrance. My wow was not only that he actually wanted to create a perfume based on my story, but that he allowed me to capture his creative process into words.

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Indie perfumer Mandy Aftel’s new perfume Sepia was inspired by her explorations of California’s Gold Country ghost towns. During the Letters to A Fellow Perfumer series on Nathan Branch’s blog, Sepia went from a fantasy of a lost world to a perfume. It is includes notes of cedarwood, yellow mandarin, pink grapefruit, pink lotus, strawberry, jasmine grandiflorum, cocoa, coffee, tobacco, oud, indole, ambergris, cepes, and labdanum. I decided to ask Mandy a few questions about her perfume and the creative process behind it.

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A couple of months ago at the Elements Showcase, I had a chance to sit down with Neela Vermeire of Neela Vermeire Créations to ask her a few questions about her trio of fragrances inspired by India. A native of Calcutta, Neela currently lives in Paris, where she launched a line of three fragrances: Trayee, Mohur and Bombay Bling. The perfumes were developed by Bertrand Duchaufour, who was moved by Indian scents and Neela’s stories. I thought that it would be interesting to share with you what motivated her to plunge into fragrance development, what it was like to work with Duchaufour and how her memories of India shaped the perfumes.

What motivated you to start your own fragrance line?

I have always been passionate about perfumes and wanted to create a few based on my past. It was more organic than simply wanting to start my own line. There was a part of me that wanted to pay homage to the country of my birthplace, India. Having very close ties to it yet living so far away, I wanted to revisit parts of my life whilst I lived there with my family and all my travels back. I wished to pay tribute and also, in a way, to reconnect with the India I had left behind. This had to be done with a highly skilled perfumer who appreciates nuances and gives the best effect without excess—sumptuous, but never smothering, since some natural raw materials can be quite heavy and rich.

I researched three broad periods for the first trio. These will be the guidelines for the future, though there are so many other periods from which to draw inspiration as well. I developed my concept and delved into the periods – not just through history books but using all that is India for me: my olfactory experiences and memories from my childhood to the present times. In a way I wanted to create three perfumes for myself but also to share with others. These perfumes are meaningful to me because it is a personal journey.

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When I learned via the publisher Wiley-vch about a new book on fragrance science authored by the prominent chemists Günther Ohloff, Wilhelm Pickenhagen and Philip Kraft, I immediately placed a pre-order. Ohloff’s articles have been my favorite perfume geek reading since I first started Bois de Jasmin and I already knew of Philip Kraft’s work through his revealing Perfumer & Flavorist article on Chanel No 5, so I impatiently anticipated my book to arrive. For the past couple of weeks, I have been spending my free moments with Scent and Chemistry: The Molecular World of Odors, learning about aroma-materials and their role in some of the most renowned fragrances on the market.

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