Desserts: 34 posts

Classical oriental fragrances like Guerlain Shalimar (1925) used a large amount of citrus oil (30% bergamot oil in case of Shalimar) supported by a lush base of animalic and woody notes. The effect of this dramatic juxtaposition is unforgettable—the scintillating, icy chill of citrus melting into the languid warmth of the amber accord, rich civet and leathery castoreum. Such contrasting sensations not only serve to lend an intriguing and memorable quality, but also to lighten the intoxicating richness of the classical oriental notes—vanilla, benzoin, tolu, opoponax, civet, ambergris, castoreum, musk, sandalwood, and patchouli. The new generation of gourmand fragrances based on the chocolate accord has taken a similar approach—the heft of chocolate can be made more palatable when accented with bright and sparkling notes, be it the lemony jasmine of hedione and bergamot in Thierry Mugler Angel, the orange blossom in Missoni Eau de Parfum, or green ivy leaves in Lolita Lempicka Eau de Parfum. …

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Michelle Krell Kydd ended her article Saffron : The Flavor and Fragrance of Joy with the promise of sharing the recipe for saffron cake. Although saffron lends itself to many preparations, both sweet and savory, I find that the nutty warmth of whole wheat and the piney freshness of cardamom are the perfect backdrops for the full range of saffron’s flavor. In Indian and Middle Eastern desserts, saffron is often paired with cardamom, rose and the velvety richness of milk. Whispers of this classical composition can be noticed in this quick-bread. It combines the lightness of the crumb with the delicately chewy texture of the toasted crust. The voluptuous flavor of saffron lingers beautifully, attesting to the perfect name for this cake—Saffron Kiss.…

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The writer Jean-Anthelme Brillat-Savarin once said, “Smell and taste are in fact but a single composite sense, whose laboratory is the mouth and chimney is the nose.” I first heard this quote from Michelle Krell Kydd, who puts this philosophy into her deeds. Michelle organized the James Beard Foundation event with chef Bill Yosses and perfumer Christophe Laudamiel, during which the relationship between flavor and fragrance were explored in depth. As Michelle reflects, “Smell and taste hit us where we live—in memory and emotion, in the past and in the present, all simultaneously. This is what makes these particular senses so powerful.” Given the close link between the two senses, the discoveries one makes into the realm of cuisine translate into olfactory appreciation and vice versa. As an example from my own experiences, the beautiful note of bitter chocolate woven into Serge Lutens’s Borneo 1834 prompted me to create a cake that allowed the bitterness of chocolate to stand out. Similarly, a Thai basil stir-fry with bean sprouts had me craving a scent that pairs the lemony clove verdancy of this fascinating herb with vegetal musk. One passion never fails to feed another. …

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Whenever I reach for Keiko Mecheri Gourmandises, I anticipate the moment when its beautiful saffron laced rose begins to unfold. That aspect of the composition has such a delectable character that I cannot but think of other ways to enjoy it. Indeed, a perfect way to savor the lush, honeyed roses paired with the medicinal, leathery saffron is when they are embroidered upon the creamy canvass of yogurt. The ambrosial quality of shrikhand, an Indian dessert popular in Gujarat and Maharashtra, is addictive. …

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