Serge Lutens: 45 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Sometimes one becomes captivated with the beauty of a composition upon first inhaling it, and sometimes it takes more time. In the case of Serge Lutens Miel de Bois, repeated exposure does indeed uncover new facets; however, these discoveries do not result in my increased appreciation for it. Quite the opposite, I realize even more why it does not appeal to me. Part of the problem is that I envision a magical forest of trees dripping with honeyed nectar, yet instead I end up in an alley filled with malodorous miasmas.

Phenylacetic acid in extremely low concentrations has a luscious honey and animalic malt odor; however, in large dozes, it becomes distinctly urinous. Miel de Bois seems to explore the latter aspect of it, and the dry accord of woods touched with animalic leather provides a supporting arrangement which does nothing to dim the effect. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Serge Lutens Chergui stings with hot spices that cover the skin like fine grains of sand, sharp, slightly abrasive and warm. Romantically named after the blood-boiling Moroccan wind that blows in off the desert during the summer, Chergui has the spicy intensity, yet its hot breath is tamed by the sweet and floral elements. Created in 2001 by Christopher Sheldrake, it is an Arabian Nights vignette in a liquid form.

The candied quality melts in the smoke whispers that fill the arrangement, like incense smoke seeping through the carved screens. The floral accord folded into the smoky layers of Chergui lightens density and sweetness, lending a voluptuous silky quality. The fine cured Virginia tobacco notes overlaid on the smoky leathery base give the composition a slightly masculine character, counterbalancing the sweet notes….

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

French fauvist painter Henri Matisse once observed that “there is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the roses that were ever painted.” The same could be said about the perfumer and the art of creating a rose fragrance. At once familiar and desirable, the rose theme has been explored in the modern perfumery quite widely, which means that creating something new and daring requires not only forgetting the classical traditions, but also being able to erase the familiarity, to surprise and to even shock.

The beauty of Serge Lutens Rose de Nuit, created by perfumer Gilles Romey lies in its abstraction of a delicate blossom into a nocturnal animalic scent, as if the petals slowly transform into the warm skin. Every single quality one might expect of rose—sweetness, powderiness, brightness, is twisted into its opposite. Where the roses might evoke delicate softness, Rose de Nuit sheds dark petals, withered at the edges. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

In contrast to the opulent oriental themes that dominate the Serge Lutens collection, the newest release from the house, Gris Clair… possesses a cool and restrained aura, painting a vision of a mountain pass veiled in damp mists. Clean and subtle is not the new direction for Serge Lutens and Christopher Sheldrake, whose Clair de Musc and Fleurs de Citronnier explore the sensuality of musk and its affinity with transparent florals. However, Gris Clair… is different still, because its simplicity and abstraction are explored to the greater extent than in any other composition by Serge Lutens.

The lavender and ash pairing, around which the composition is constructed, immediately might provoke comparisons with Encens et Lavande, a fragrance of herbaceous brightness laced with floral sweetness of lavender and resinous incense. However, the comparison would be misleading, because Gris Clair… does not approach the smokiness of Encens et Lavande nor its complexity. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Serge Lutens La Myrrhe is the essence of the moment when the sunlight enters through the stained glass windows of an old church, bathing its cold stone in iridescent glow and lending a jewel-like splendor to the liturgical vestments and the vessels of the altar. The contrast between the light and the dark is what makes the fragrance one of the most intriguing compositions resulting from Serge Lutens and Christopher Sheldrake’s partnership.

The classicism of La Myrrhe (1995) is of misleading nature as it orchestrates its accords in a modern manner. The opalescent white veil of aldehydes that unfolds in the top accord almost hints at the floral waterfalls that are about to cascade softening the chilly breeze. Yet, instead of bergamot, rose, jasmine and ylang ylang of classical aldehydic compositions, La Myrrhe’s icy aldehydes become overlaid with sweet citrus, before falling into the heart spiced with anise. ….

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