Big Sillage: 77 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Anyone familiar with the provocative aesthetic of Etat Libre d’Orange will suspect at once that the fragrance named Rien (Nothing) is likely to be a dramatic mélange. The first whiff of the fragrance proves that one’s suspicions are indeed correct—Rien is a blast of civet and leather, with bitter green and earthy iris notes weaving a dark tapestry. Bold, dramatic, overwrought, it hits all of its accords at once. Yet, those who love classical fragrances and leather notes will find Rien thrilling, since it offers a glimpse into the vanishing grand parfum tradition—challenging, complicated, and memorable. Rien has the complexity of Clinique Aromatics Elixir, the intelligence of Chanel No 19, the brashness of Robert Piguet Bandit and the sensuality of Serge Lutens Muscs Koublai Khan. It is exciting in its blend of classical themes and modern effects.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The striking feature of L’Artisan Parfumeur Timbuktu, a dry composition of woods, vetiver and incense, is its incredible radiance. The fragrance has a marvelous soaring quality, from the top notes of pepper and citrus to the earthy drydown of patchouli and musk. It is as if the dark, dense notes are interspersed with fresh, effervescent layers, resulting in a fragrance that combines the rich warmth of cognac with the shimmery brightness of champagne.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

I generally try to steer clear of too much hyperbole, but in the case of Angel, every hyperbole describes it perfectly. The most polarizing, the most memorable, the most dramatic, the most grotesque… Angel, created for Thierry Mugler in 1992, is one of the great perfume success stories of the last two decades. Its introduction on the market is also an interesting case study into what it takes to make a classic: quality juice, a strong character, a memorable signature and also time. Today, most brands go for the quick sell, releasing fragrances that are bland and derivative; the new launches are rarely given time to take hold in the market place. Angel was not a runaway success; it took three years of constant support from Thierry Mugler and its parent company, Clarins, for this fragrance to start topping the best seller lists. And the rest is history!

What follows is not so much my standard perfume review, but rather an exploration of how this fragrancew came about and what makes it unusual. In the end, I share some of my favorites among Angel offspring, including some fragrance that I find fantastic but that fared quite badly on the market. I also would love to hear your thoughts on Angel, positive and negative.

Angel: New Gourmand Fragrance Genre

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Serge Lutens Jeux de Peau, which translates from French as “play on skin” or games “involving skin,” certainly engages in plenty of olfactory tricks. Christopher Sheldrake and Serge Lutens have never been shy about exploring difficult notes. I still marvel at the technical genius of La Myrrhe, in which a traditionally heavy, unctious and dense note of myrrhe seems effervescent and luminous. Or the harsh, diesel fuel note of methyl benzoate in Tubéreuse Criminelle that makes the white tuberose appear even fresher and brighter. In Jeux de Peau, the notes that are pushed to the point of discomfort are the caramelized, charred accords that evoke toasted bread.

Continue reading →

Original:

Reformulation:

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Of all the fragrances attempting to convey the idea of darkness, Lancôme Magie Noire stands out as particularly successful. The layering of animalic notes, the opulent florals like ylang ylang and tuberose and a lush dose of moss results in a fragrance of such mysterious, dusky and brooding character that I cannot describe it in any way but haunting. It is not easy to like as a fragrance since it is simultaneously quite dark, animalic and intensely green. Despite its rich floral accord, it is not particularly feminine either, and in fact, I can see it as an interesting, unconventional masculine scent. I cannot help being fascinated by the way Magie Noire evolves and goes from challenging to spellbinding.

Continue reading →