Opulent: 185 posts

Fragrance with rich, complex characters that feel like cashmere wraps

Etat Libre d’Orange Putain des Palaces : Perfume Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

There is a striking dissonance between the vulgarity implied by the name, Putain des Palaces (Hotel Slut), and the elegant character of the fragrance itself. Perhaps it’s just me, but Etat Libre d’Orange names that sound as if they were jotted down by a bunch of teenage boys after a night of drinking do not entice me. On the other hand, they do not repulse me either, as the only thing worth judging the perfume on is its scent. And yet, Putain des Palaces is a beauty, hinting at flowers foiled by soft leathery notes. If Sécrétions Magnifiques is one of the most unusual and innovative compositions from Etat Libre d’Orange and Jasmin et Tabac is the most edgy, Putain des Palaces is undoubtedly the most polished and seductive. …

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Donna Karan Gold : Perfume Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Among the prestige releases (i.e. those that lie between niche and mass market), Donna Karan never fails to capture my attention with imaginative and elegant compositions. Even the fruity-floral idea of Be Delicious was rendered in such an unexpected manner that I cannot fail to admire it. What could have been a sweet and pretty apple is instead an intensely green violet leaf composition suggesting a vision of a crisp fruit. Although miles away from the sparkling vibrancy of Be Delicious and the seductive darkness of Black Cashmere, Gold nevertheless maintains a sleek urban image that marks the Donna Karan fashion line as well as the fragrance range. …

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Tom Ford Black Orchid : Fragrance Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The promise of beguiling black orchid scent, the suggestion of classical glamour, the retro advertisement reminiscent of George Hurrell’s famous shot of Veronica Lake–and Tom Ford’s solo debut, Black Orchid became my most anticipated 2006 launch. When I finally held the gorgeous black glass bottle in my hand and sprayed the perfume on my skin, I envisioned something along the lines of Rochas Femme, the radiant sweetness wrapped into the rich animalic warmth. …

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Serge Lutens Mandarine Mandarin : Perfume Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

When Serge Lutens decides to explore the hesperidic theme, one can be certain that the result will be a tale with a variety of fascinating characters and intricate subplots. Mandarine Mandarin, the newest fragrance created by perfumer Christopher Sheldrake, fulfills this expectation, resulting in an opulent oriental composition dominated by spice and amber. In contrast to the Arabian Nights adventures of Lutens and Sheldrake’s previous collaborations, Mandarine Mandarin offers a glimpse into A Dream of the Red Chamber, the 18th century Chinese Qing Dynasty novel. …

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Robert Piguet Baghari : Fragrance Review

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The decisions of fragrance houses to reach into their archives tend to elicit mixed feelings in me. While getting a whiff of a 1920s boudoir or a 1950s cocktail party seems like an intriguing proposition, the past cannot be resurrected in all of its complex and intricate detail. The reissued fragrances would inevitably differ from their predecessors either due to commercial (change in tastes) or practical (disappearance of raw materials) considerations. At worst, the juice in the bottle would have little to do with the fragrance that supposedly inspired it. Thankfully, the recent reorchestration of Baghari respects the Robert Piguet tradition, resulting in a fragrance that combines modern radiance with neoclassical softness.

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