Winter: 112 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Update 9/5/2011: The IUNX line was reintroduced to the market, and the fragrances are currently available at the store next to the entrance of Hotel Costes in Paris.

Ether, the substance that according to Greek doctrines was the celestial essence breathed by the gods and which was considered to be “less than the vehicle of visible light” by the ancient phisophers, cannot be a more appropriate name for a IUNX creation by Olivia Giacobetti, whose fragrances are marked by weightlessness and radiance.

If L’Ether cannot be called “the divine celestial fire”—the Greek word aither is derived from the root aith-, meaning “burn”—it is only because its beauty is available to mere mortals. In many ways, L’Ether is the example of compositions Giacobetti excels in—sheer luminosity modulated by the mysterious smokiness of incense. The effect is at once delicate and powerful. It is most closely related to Costes and Passage d’Enfer through the transparent incense that fills its base. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

For a lover of oriental compositions, Paul & Joe Bleu created by Pierre Bourdon, with its ambery notes folded into the velvety creaminess of woods and vanilla, would be a nice discovery. Fairly classical composition at first glance, it weaves the sweet incense and tobacco nuances of oud into its rich veil, creating an interesting orchestration that calls to mind nocturnal images. At the same time, experiencing Bleu makes one understand why oriental compositions are often compared to cashmere, for its gently powdery drydown embraces the skin in the warm and soft fashion.

The initial impression suggests a sparkling spicy composition with the complementarities of cool spices and bergamot, the crisp tartness of which barely hints at the sensuality of patchouli and the powdery sweetness of coumarin underscoring the base. The crystalline quality of the top notes melts away under the intensifying effervescence of spices. …

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The dark slender branches are bent under the weight of the snow, forming an arch over my head. Shielding my face from the large soft snowflakes, I look up at a sky in which the pale disk of the sun drowns in a pearly white haze. My first memory of snow is difficult to trace. I just remember walking to school through snow banks that were twice my height. The snow would sparkle under the street lamps, lighting the early morning darkness, a darkness that would only lift much later in the day. Even now I can wake up in the morning and sense that it is snowing because of the serenity and slumber which seem to take over the world at that particular moment. The only thing one wishes is to make a strong cup of caravan tea, wrap oneself in a blanket and sit next to the cold window watching the snow fall, fall, fall….

The crisp, mineral and slightly ozonic smell of the snow is one of the most important smells that I associate with winter. I have yet to encounter its realistic rendition in fragrance; however, there are a few fragrances that capture the spirit of the winter garden. Frozen branches and soil attain the most unusual scent that folds earthy and woody elements into metallic clarity. Serge Lutens Iris Silver Mist is the scent of frozen roots and iced flower petals and has a beautiful chilliness that does not dissipate even after the fragrance dries down. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Between Guerlain Shalimar (1925) and Lalique Le Parfum (2005) there lies a period of eight decades, yet their oriental roots link the two fragrances. Indeed, it is fascinating to ponder how certain accords manage to endow the composition with a unique feel and an aura that is difficult to forget. Vanillin, coumarin and patchouli comprise the core of Shalimar, which spills into a cascade of warm and animalic notes after the initial diamond-like sparkle of hesperidic notes. The magnificent tour de force of the composition inspired its own family, including oriental fragrances as diverse as L’Artisan Parfumeur Safran Troublant (as well as Piment Brûlant and Poivre Piquant), Guerlain Habit Rouge, Serge Lutens Un Bois Vanille, Cartier Must de Cartier and Christian Dior Addict, among innumerable others.

Lalique Le Parfum is the first oriental fragrance in the Lalique range, and while it relies on the classical vanilla, patchouli and coumarin accord, it is unmistakably a modern oriental fragrance….

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

If perfume allows the imagination to paint vivid pictures, Chanel Cuir de Russie is a fragrance that seems to embody a whole story. From the shimmering dry aldehydic top to the warm leathery base, it unveils one image after another. One can almost envision an elegant woman reaching into a black leather handbag, her hand rummaging through its contents: red lipstick, powder compact exuding an aroma of violets, a silver cigarette case… The owner of the fragrant handbag also seems to be fond of listening to jazz in smoky clubs since Cuir de Russie has an alluring note redolent of soft tobacco pervading its leathery smoothness. It is indeed a scent of the fine handbag and the warm skin of its beautiful owner.

Cuir de Russie, “Russian Leather” was a popular theme at the end of the 19 th century, with similarly named fragrances offered by houses like Guerlain and LT Piver. Created in 1924 by Ernest Beaux, the fragrance was intended to provoke and shock, being dedicated to the woman who is not afraid to smoke in public nor speak her mind. …

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