Winter: 112 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Walking through the Metropolitan Museum of Art in New York, I realize that in much the same way as great artworks inspire the new generation of artists, the influence of Jacques Guerlain’s Shalimar (1925) is felt in Frédéric Malle Musc Ravageur (2000). Neither like Dalì simply imitated Picasso, nor is Musc Ravageur a copy of Shalimar. It is a fragrance with its own creative merit that incorporates elements from Jacques Guerlain’s composition in order to convey another vision. While Shalimar makes one wait in order to see what makes it a perfection—which one has to admit it is, whether one likes it or not, Musc Ravageur starts to unfold at once. Its animalic elements are seamlessly blended into dark vanillic warmth, interspersed with cool notes of bergamot and lavender. The heightened interplay of powerful sensations, from hot glow of amber to icy sting of citrus, is what makes Musc Ravageur a memorable composition from the first inhale.

While I do not like many scented body products, Frédéric Malle has impressed me with the quality of its ancillary lines. Musc Ravageur Oil is a great alternative to the Eau de Parfum, especially for those who find the initial balsamic burst too dark. It absorbs rapidly into the skin and, with some sacrifice of development, melds into a softer version of the EDP. The soft balsamic warmth of this sensual fragrance would also work wonderfully on a man.

Paintings (from left to right, click to enlarge): Salvador Dalì, Venus and a Sailor (1), 1925. Ikeda Museum of Twentieth Century Art, Shizuoka, Japan. Pablo Picasso, Mother and Child, 1921-22. The Alex L. Hillman Family Foundation, New York, NY, USA. (from dali-gallery.com and abcgallery.com, respectively.)

Comme des Garçons Incense Series introduced in 2002 explore incense scents from different parts of the world from Zagorsk, Russia to Kyoto, Japan. Avignon calls to mind exploring religious architecture, which has always been a favorite pursuit: wandering through the abbey of St. Denis just outside Paris on a hot summer day; studying Magna Carta at Salisbury Catherdral; exploring the altar of Santo Stefano in Bologna on a damp December evening and really wishing to be home drinking tea under a warm blanket. The resinous and rich scent of incense accompanies each one of these recollections and is to be found in Avignon.

The fragrance opens up with a surge of myrrh and frankincense–dark, balsamic, somber, with an underlying resinous sweetness. I can almost hear the Gregorian chant as the balsamic smoke swirls out of the resinous accord. After the fragrance dries down it becomes much softer with the bitter sweet notes of chamomile dispersing the darkness of incense. It still remains a rich fragrance with smoky, warm notes swirling over the resinous base. The dry down is reminiscent not of a cathedral during the High Mass, but of a ruined Cistercian monastery–the rich incense scent still clinging to the stones but softened by the breeze carrying the herbal scents from the surrounding countryside.

Photo: David Heald, Nave Looking West, Longpont (Cistercian abbey).

Caron Parfum Sacré can be compared to a fine cashmere shawl as it clings to the skin and feels warm and smooth. Created by perfumer Jean-Pierre Béthouart in 1990, it is a spicy oriental, with a big rose in its heart. The first impression is a tingly rush of black pepper. Then, mace (the inner casing of nutmeg), cardamom and lemon grow stronger and richer.

For all its spicy notes, Parfum Sacré is not a dry, pungent fragrance, but caressing and enveloping. The rose softens the middle notes lending them a honeyed sweetness. Rose’s appearance can be compared to a gorgeous stranger entering the room–the clamor stops and every minute whisper is heard distinctly. That’s when I notice orange blossom and iris delicately hinting at their presence. Soon the woody accords undulate slowly lending a resinous aspect to the dry down. The smooth balsamic myrrh, sweet amber and smoky vanilla form the intricate drydown. To call Parfum Sacré sultry is probably an understatement! Still, it is not what I would call a bombshell perfume. Parfum Sacré lends itself to being worn as a comfort scent. On a cold winter day, it is a perfect scented choice–warming and rich, like a glass of mulled wine.

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Nuit de Noël was my introduction to the house of Caron, and what a wonderful exploration it has charted out for me. Caron creations seem unusual to me; they are carefully balanced, possessing a dark languid undercurrent that immediately conjures visions of classical French couture. I do not want to use the term old-fashioned since it is liable to negative connotations, but Caron’s creations have a classical aspect that I do find appealing, if slightly nostalgic.

Nuit de Noël was created in 1922 by Ernest Daltroff for his lover, Félicie Vanpouille, who loved Christmas Eve and the scents associated with it. Indeed, it is a quiet, whispering fragrance, conjuring perfectly the silence and the serenity of the night before Christmas. “Twas the night before Christmas, when all through the house not a creature was stirring, not even a mouse…” (by Clement Clarke Moore). Nuit de Noël is one of my favorite Caron scents because of its interesting composition and exquisite dry down. Overall, Nuit de Noël is a soft wood-based scent with a floral heart. The top notes are very classical rose, jasmine and ylang ylang–dry floral notes rather than a creamy modern composition. The most interesting changes take place after the fragrance dries down slightly. Suddenly the floral blend is dissipated by the wetness of oakmoss. Then the spicy notes become apparent, albeit remaining very soft and intertwining with sandalwood and vetiver. The fragrance does not lose its dry quality which is wonderful and comforting. I imagine walking around in the city as the snow is falling softly.

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A gem of Guerlain’s classical collection, Vol de Nuit is a miniature universe. Smelling it, I am transported to a wood-paneled library. The gilded leather bound books, the honeyed scent of beeswax candles and the warmth of the fire are evoked by its balsamic and leathery notes. The baroque oriental base of Vol de Nuit cradles a luminous orange blossom and narcissus.

Perfumer Jacques Guerlain created Vol de Nuit, “night flight”, in 1933 as an homage to the brave aviators of the 1920s. The French company Aéropostale was one of the first operations to fly the mail from continent to continent. The chief pilot of Aéropostale’s operations was Antoine de St. Exupéry. After serving as a French combat pilot during World War I, he wrote several books, among them Wind, Sand and Stars, Night Flight and The Little Prince. He disappeared during World War II while flying a reconnaissance mission in 1944. Vol de Nuit was named after a novel by Antoine de Saint-Exupéry. The bottle is emblazoned with the shape of French Air Force wings and has a dark amber color.

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