Ambery Family: 53 posts

Gilded, raunchy, glamorous, voluptuous… Any of these words describe Christian Dior Dioressence, a fragrance that has been marketed by Dior as le parfum barbare, a barbaric perfume. Dioressence is still sold today, but the reason why it ended up among my Long Lost Favorite Perfume series is because the original version is gone. Marika, who asked me to add Dioressence to my list of discussions, said, “I recall it being a deliciously rich chypre, very powerful and tenacious. I liked its balance of earthy depth and elegance. It was my first perfume.”

Fans may complain about Christian Dior causing confusion with their game of renaming and reformulating Miss Dior and Miss Dior Chérie, but Dioressence has suffered the same fate through the years. When I smell the original perfume created by Guy Robert in 1969, the relaunch from the 1970s and the current version, I feel as if I’m wearing three different perfumes—an ambery animalic chypre, a full-bodied spicy oriental and a pale green chypre.

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There are days that feel so perfect that I wish I could capture them somehow—in a sentence, in a drawing or in a drop of perfume.  It may just be a mild spring morning when I wake up by myself before the alarm clock and find that my husband has already made some tea for me and the whole room smells of jasmine petals and wet leaves. Or perhaps, I’m enjoying a cup of coffee at a sidewalk café, soaking in the sunshine and the perfume of dusty geraniums. None of these moments are great epiphanies, but they comprise the small pleasures that color my days the most.  When I read that a niche house A Lab on Fire launched a fragrance called Sweet Dreams 2003, I became tempted as much by its story as by the scent itself.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The Muse

Elsa Schiaparelli was a designer who set lasting trends in fashion with her richly embroidered jackets, shoe shaped hats and lobster dresses, but I discovered her whimsical side through Shocking, a perfume she released in 1937. Shocking was a dazzling collaboration between Schiap, as she was known, Jean Carles, who created the perfume, and the Surrealist artists Marcel Vertes and Salvador Dali through whose drawings the sultry fragrance came to life.

This month, the Metropolitan Museum in New York opened the exhibit “Schiaparelli & Prada, Impossible Conversations.” Running until August 19th, the collection explores the work of two designers in a compare-and-contrast setting. It was the first time I’ve seen Schiaparelli’s work close up, and I was mesmerized. The clothes weren’t simply beautiful; they offered a glimpse into the designer’s vibrant imagination.

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“A fragrance created today is the one that’s going to disappear tomorrow,” says the director of the Osmothèque perfume conservatory Patricia de Nicolaï. Perfumes disappear for many reasons—reformulations, bad marketing strategies, poor timing. I’m not sure why Yohji Yamamoto was discontinued, but when Debbie emailed me to add Yohji Yamamoto to the long lost favorite perfume discussions, I was glad to talk about it. Debbie mentioned that she wasn’t sure if she really liked Yohji at the time, but as she noted, “when I go back and re-smell (I have about a quarter of a bottle left) I am struck by how interesting it is, especially at the time it was launched.”

When I first tried Yohji Yamamoto for Her, I also wasn’t sure if I liked it either. It was created in 1996 by the esteemed Jean Kerléo. Kerléo was an in-house Jean Patou perfumer, and he’s responsible for the gilded Jean Patou Sublime and the glamorous 1000. Yohji Yamamoto is a departure from the gold and silk elegance of Patou; it’s a gourmand composition that is unexpectedly crisp and bright.

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For Dionne, Anne Klein II (1986) was an integral part of her journey into perfume and also of growing into her skin. As we shared emails about the fragrance and as I read her moving story, I learned that Dionne loved incense and woods. She said, “I discovered that even though many florals go sour on my skin, incense and iris and woodsy notes smelled wonderful.” It was then clear why Anne Klein II with its sumptuous blend of patchouli, sandalwood and dark smoky notes would fit Dionne’s perfume personality. Although it was a bit intimidating to find anything approximating such a special and meaningful fragrance, I decided to plunge right into it.

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