Balsams & Resins: 32 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Walking through the Metropolitan Museum of Art in New York, I realize that in much the same way as great artworks inspire the new generation of artists, the influence of Jacques Guerlain’s Shalimar (1925) is felt in Frédéric Malle Musc Ravageur (2000). Neither like Dalì simply imitated Picasso, nor is Musc Ravageur a copy of Shalimar. It is a fragrance with its own creative merit that incorporates elements from Jacques Guerlain’s composition in order to convey another vision. While Shalimar makes one wait in order to see what makes it a perfection—which one has to admit it is, whether one likes it or not, Musc Ravageur starts to unfold at once. Its animalic elements are seamlessly blended into dark vanillic warmth, interspersed with cool notes of bergamot and lavender. The heightened interplay of powerful sensations, from hot glow of amber to icy sting of citrus, is what makes Musc Ravageur a memorable composition from the first inhale.

While I do not like many scented body products, Frédéric Malle has impressed me with the quality of its ancillary lines. Musc Ravageur Oil is a great alternative to the Eau de Parfum, especially for those who find the initial balsamic burst too dark. It absorbs rapidly into the skin and, with some sacrifice of development, melds into a softer version of the EDP. The soft balsamic warmth of this sensual fragrance would also work wonderfully on a man.

Paintings (from left to right, click to enlarge): Salvador Dalì, Venus and a Sailor (1), 1925. Ikeda Museum of Twentieth Century Art, Shizuoka, Japan. Pablo Picasso, Mother and Child, 1921-22. The Alex L. Hillman Family Foundation, New York, NY, USA. (from dali-gallery.com and abcgallery.com, respectively.)

Nuit de Noël was my introduction to the house of Caron, and what a wonderful exploration it has charted out for me. Caron creations seem unusual to me; they are carefully balanced, possessing a dark languid undercurrent that immediately conjures visions of classical French couture. I do not want to use the term old-fashioned since it is liable to negative connotations, but Caron’s creations have a classical aspect that I do find appealing, if slightly nostalgic.

Nuit de Noël was created in 1922 by Ernest Daltroff for his lover, Félicie Vanpouille, who loved Christmas Eve and the scents associated with it. Indeed, it is a quiet, whispering fragrance, conjuring perfectly the silence and the serenity of the night before Christmas. “Twas the night before Christmas, when all through the house not a creature was stirring, not even a mouse…” (by Clement Clarke Moore). Nuit de Noël is one of my favorite Caron scents because of its interesting composition and exquisite dry down. Overall, Nuit de Noël is a soft wood-based scent with a floral heart. The top notes are very classical rose, jasmine and ylang ylang–dry floral notes rather than a creamy modern composition. The most interesting changes take place after the fragrance dries down slightly. Suddenly the floral blend is dissipated by the wetness of oakmoss. Then the spicy notes become apparent, albeit remaining very soft and intertwining with sandalwood and vetiver. The fragrance does not lose its dry quality which is wonderful and comforting. I imagine walking around in the city as the snow is falling softly.

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