Iris: 79 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Although many fashion houses such as Yves Saint Laurent, Gucci and Calvin Klein, to name a few, are equally renowned for their fragrances, the new additions to Gianfranco Ferré’s portfolio have been long overdue. At last, here comes Ferré, a perfume of modern aesthetic sensibility and classical elegance. It artfully conjures the water drenched purple petals and the cool silk with its layers of transparent floral accords modulated by the weightless softness of its oriental base. The leitmotif of iris courses through the composition that maintains a fine balance between the sweet floral and the earthy metallic elements of iris root. Created by Pierre Bourdon in 2005, Ferré is a fine example of a modern composition fusing light into every single twist of its development. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Explaining why I should have liked Le Labo Iris 39 is much easier than describing why it did not appeal to me. Iris is one of the most fascinating notes in its ability to weave floral and woody elements into a fragrance with wonderful complexity and depth. Although usually incorporated as a supporting note, iris has been increasingly treated as a soliflore. The exciting results of such efforts are beautifully demonstrated by fragrances like Serge Lutens Iris Silver Mist and The Different Company Bois d’Iris. Another reason to have high hopes for Iris 39 is that Frank Voelkl, the perfumer who created it, is also the nose behind Three As Four, the delicately orchestrated iris and ginger vignette.

Iris 39 is interesting in that it deviates from the conventional cold iris theme by marrying the hot dryness of patchouli with the metallic chill of orris. The floral accord is accented with orange blossom, the sweetness of which is further amplified by the rich musky base. The juxtaposition of notes is reminiscent of the classical red wine and cheese pairing. Just as the tannic dryness serves as a perfect foil for the milky sweetness, the layer of warm patchouli makes the iris note unfold smoothly. …

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L’Artisan Parfumeur is a quintessential niche line, with the fragrances possessing quirky compositions, whimsical names and a flair for elegant simplicity. Under the direction of Jean-François Laporte, it has produced the classic like Mûre et Musc (1978) and the maltol overdosed Vanilia (1978). It was the first to introduce a fig accord in Premier Figuier (1994), to use coffee notes in L’Eau du Navigateur (1978), to make an animalic composition like Dzing! (1999) appear ethereal. That being said, a number of perfumes in the line are disappointingly thin, especially the florals, some of which strike me as so dainty that I feel like walking on tip toes when wearing them.

Orchidée Blanche is one of the few exceptions that make a bold floral statement. Created under the direction of Laporte in 1985, it presents a stunning white flower wrapped in a delicious layer of sweet iris and a subtle accent of spice. Its voluptuous arrangement shares more lineages with the soft floral-aldehydic fragrances of 1970s than with the rest of the L’Artisan florals. Perhaps, the now unpopular powderiness is one of the reasons for Orchidée Blanche being a relatively obscure L’Artisan perfume. Yet, the glamorous character and vintage elegance make it worth exploring, especially for those with the penchant for classics. …

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Chanel No. 19 needs no words of praise because its beauty renders them superfluous. Even its seemingly difficult facets—the aggressive verdancy of galbanum, the woody duskiness of iris—are arranged in such a harmonious manner that one cannot but admire how the green, vibrant top notes melt into the leathery darkness of the base.

The number 19 refers to Coco Chanel’s birthday, August 19th. The story goes that No.19 was her personal fragrance; however, this is unlikely, since the perfume was composed only in 1970, less than a year before her death. No. 19 was created by the Chanel in-house perfumer Henri Robert, who is also responsible for the chypre austerity of Pour Monsieur (1955) and the shimmery bite of Cristalle EDT (1974). Robert created only a few fragrances for the house; however, his contribution cannot be measured by the number of perfumes linked to his name. Being responsible for maintaining the quality of Chanel No. 5, searching out the best quality materials and adapting the formula for the parfum de toilette and eau de toilette, Robert has to be credited for the continuing success of No. 5. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Apothia L Eau de Parfum is the chord of iris fading into the green musky sweetness. Iris is the scent of chill, and its fascinating interplay of rooty and floral facets finds a range of expressions in the perfumery, from the smooth richness woven into the emerald tonality of Chanel No. 19 to the rooty iciness pervading Serge Lutens Iris Silver Mist. In contrast to the melancholy aura of many iris based compositions, L Eau de Parfum explores the brightness of iris, enlivening its proud stance with a scintillating spicy ornamentation. As much as I love the aloof elegance of many iris perfumes, the unsentimental and vibrant iris is always a welcome encounter, especially given the fact that such explorations are relatively rare.

For those familiar with Divine L’Homme de Coeur, L Eau de Parfum will be a very interesting discovery, since both of these iris perfumes were created by Yann Vasnier….

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