Iris: 79 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

It has been a while since any fragrance from the Armani Privé collection captured my attention. Although many perfumes in the range are elegant and well-crafted, the inflated price makes them much less attractive to me. The only exception so far has been Bois d’Encens, a striking incense and cedarwood composition that intriguingly managed to convey the serene darkness of incense, while suggesting a glamorous aura. La Femme Bleue has been my latest surprise. Although iris has been a heavily used theme among recent niche launches—from Tom Ford Violet Blonde to Annick Goutal Mon Parfum Cheri, La Femme Bleue presents it in an unusual manner. It pairs the cool vegetal austerity of iris with the gourmand sweetness of chocolate and the somber darkness of incense, all the while retaining an uplifting sensation.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Full-bodied, voluptuous fragrances are as rare today as curvy models on a catwalk. I find it less and less frequent to experience what French perfumers call “gras,” or fat, denoting a certain unctuous richness that characterized fragrances of the past. Although this quality is not always welcome, the multitude of crisp and fresh new launches leaves me craving something with more substance. So once I smelled Annick Goutal Mon Parfum Chéri, par Camille, I felt like a dieter who has been allowed a slice of chocolate cake.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

A complex raw material such as the root of an iris plant can be a perfume in itself. Although iris as a perfumery note is liable to be classified as floral, the scent of orris butter, as the thick, creamy essence is called, is closer to that of green vegetables, wet roots and damp soil. L’Artisan Parfumeur first released Iris Pallida as a limited edition in 2007, and this year, the fragrance has once again been relaunched. Composed around a fine grade of orris butter, it is meant to pay a tribute to the beauty of this raw material.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

For their 50th anniversary, Diptyque has launched a perfume capturing the scent of its first boutique located on 34 Boulevard Saint Germain in Paris. The idea behind the eponymous fragrance was to capture the main elements of the famous Diptyque: L’Ombre dans l’Eau, Philosykos, L’Eau, Do Son. Blending various disparate accords is often liable to produce a pastiche effect, and perhaps, this is exaclty what happened with 34 Boulevard Saint Germain, which while competent, does not have a strong character.  For a niche launch, it especially seems too safe and traditional: a soft-spoken fougère that would not be out of place on the masculine side of the fragrance bar at Macy’s.

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As I smell many niche collections these days, I get a distinct feeling that the luxury is being channeled mainly through the price and elaborate packaging. I do not wish to single out Cartier; the same thing can be said about by Kilian, Armani Privé, Clive Christian, Xerjoff, etc, etc, etc. This is also not to imply that the fragrances launched under these brands are poorly made; in fact, sometimes it is quite the opposite. However, as the price of luxury rises higher and higher, I begin to wonder whether the fragrances truly justify it. After all, I am not wearing a pretty bottle, nor do I care about the esteemed brand name. The only thing that remains is the scent. As for Cartier Les Heures de Parfum scents, I enjoyed the incense of L’Heure Mystérieuse and fell hard for the introspective aura of L’Heure Fougueuse and liked L’Heure Brilliante. Yet, as I mentioned previously, I wish for more complexity in these compositions and fuller stories being developed around these strong ideas. As I finish testing Les Heures de Parfum, I am left with the surprising discovery that in comparison to many niche lines, Serge Lutens fragrances can seem like bargains!

I decided to review L’Heure Folle, L’Heure Brilliante, L’Heure Promise, and L’Heure Diaphane together, because they capture a similar bright, joyful sensation to me, despite being quite different in terms of their olfactory profiles. As such, it is very interesting to observe how different olfactory effects can be used to achieve a similar mood. They also give a very interesting insight into Cartier in-house perfumer Mathilde Laurent’s style and her strong signature.

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